情欲電影院
名為“family”的這家電影院整日放映色情電影，馬伊達(dá)一家經(jīng)營著電影院也住在電影院里。影院的放映廳以及走廊上每日都聚集著同性戀者、娼妓和雞奸者。馬伊達(dá)的父親有了外遇并且有了私生子，母親弗羅傷心至極，為此事上法院結(jié)果是敗訴。收養(yǎng)來的弟弟阿蘭使女友梅麗懷孕了，別無他法的他們只得商量著結(jié)婚的事宜。而她的妹妹杰瑞爾整日無所事事在影院當(dāng)檢票員。舅舅羅納爾德舉止像個(gè)女人，卻娶妻生子。丈夫蘭多負(fù)責(zé)家中瑣事，接送孩子約納斯上下學(xué)。一日正值放映電影時(shí)放映廳闖進(jìn)一只羊，眾人將之趕了出去，母親弗羅念才念叨道電影院是該修整的時(shí)候了.......
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劇情簡介
名為“family”的這家電影院整日放映色情電影，馬伊達(dá)一家經(jīng)營著電影院也住在電影院里。影院的放映廳以及走廊上每日都聚集著同性戀者、娼妓和雞奸者。馬伊達(dá)的父親有了外遇并且有了私生子，母親弗羅傷心至極，為此事上法院結(jié)果是敗訴。收養(yǎng)來的弟弟阿蘭使女友梅麗懷孕了，別無他法的他們只得商量著結(jié)婚的事宜。而她的妹妹杰瑞爾整日無所事事在影院當(dāng)檢票員。舅舅羅納爾德舉止像個(gè)女人，卻娶妻生子。丈夫蘭多負(fù)責(zé)家中瑣事，接送孩子約納斯上下學(xué)。一日正值放映電影時(shí)放映廳闖進(jìn)一只羊，眾人將之趕了出去，母親弗羅念才念叨道電影院是該修整的時(shí)候了.......
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等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.