影片推薦
海底軍艦
高島忠夫,中村哲,藤山陽子,藤木悠,佐原健二,上原謙,小泉博,田崎潤,田島義文,平田昭彥雛菊1966
雅羅斯拉夫·庫切拉,伊萬娜·卡爾班諾娃,埃斯特爾·克倫巴赫喬娃,伊特卡·采爾霍娃,Marie Cesková,Jirina Myskova,Marcela Brezinová,Julius Albert,Oldrich Hora,Jan Klusák,Václav Chochola,Josef Konícek,Jaromír Vomácka,Miroslava Babúrková,J. Bartos,Oldrich Basus,Jirina Cesková幽靈鬼屋
勒凱斯·斯坦菲爾德,羅莎里奧·道森,歐文·威爾遜,蒂凡尼·哈迪斯,丹尼·德維托,杰米·李·柯蒂斯,蔡斯·W·狄龍,杰瑞德·萊托,J·R·阿杜西,克里克·威爾遜,本·布萊頓,林賽·蘭姆,查麗蒂·喬丹,費多爾·斯蒂爾,特倫斯·羅斯摩爾,邁克·貝尼特斯,埃里卡·科爾曼,克里斯托弗·溫徹斯特,喬·科伊,格拉倫·布萊恩特·班克斯,瑪麗露·亨納爾,史蒂夫·齊西斯,安德魯·莫爾加多,尼科·戈麥斯,庫爾特·岳,哈?!っ鞴?丹·列維,埃里克·羅溫,塞巴斯蒂安·蘇戴斯,特蕾西·古德,卡姆蘭·謝赫,薇諾娜·瑞德,羅伯特·廷斯魔力,魔力
艾米莉·布朗寧,邁克爾·塞拉,朱諾·坦普爾,卡塔琳娜·桑地諾·莫雷諾,阿古斯丁·席爾瓦派對島上的危險
林賽·德雷斯巴赫,Andrea Prevatt,James Bobo,Kate Dailey鼠膽威龍
張子棟,徐巾淇,趙雷棋,武文佳,強巴才丹,劉佩琦,李奎,張慶慶,鞏小榕同類精選
撒冷鎮2024
劉易斯·普爾曼,威廉·桑德勒,皮魯·埃斯貝克,麥肯茲·利,比爾·坎普,阿爾法·伍達德,斯賓塞·崔特·克拉克,約翰·本杰明·西基,尼古拉斯·克羅維蒂,Debra Christofferson,凱德·伍德沃德,瑞貝卡·吉貝爾,凱蘭·呂德,塞拉·希烏爾曼,Jordan Preston Carter,邁克·巴什,Danielle Perry,Carly Silverman,加文·馬多克斯·伯格曼,Fedna Jacquet半身死靈
大島優子,山崎真實,螢雪次朗,阿部進之介沉默的鏡像
蒂莫西·赫頓,費爾南多·古林·庫弗,米格爾·安赫爾·西爾維斯特頭顱游戲
Carly Steel,萊昂納德·羅伯茨,杰咪·希爾,Edward Gelhaus,卡梅隆·博文,克里斯·海耶斯,Sidney Allison專撬墻腳
石天,曾志偉,黃百鳴,劉瑞琪分秒間離
奧蘭多·瓊斯,Edmund Entin,Gary Entin影視排行
基佬四十
林子祥,陳小春,吳鎮宇,伍詠薇,林建明,毛俊輝,舒淇,楊恭如,張堅庭,張同祖,袁詠儀家聲(林子祥 飾)已經四十六歲了,至今仍未成家。他青梅竹馬女友麗泉(伍詠薇 飾),要求與他之間做個了斷。兩人多年來沒有結果是因為家聲是一名同性戀者。而家聲是有一名男朋友Sonny(陳小春 飾)的,但Sonny十分享受花花世界給他帶來的虛榮,這樣便使得家聲覺得十分沒有安全感,卻又對Sonny的感情越來越深?! 〖衣曇幻詰俸糜延懒乙虬滩∷廊チ?,家聲勸止永烈的男友(吳鎮宇 飾)不要出現在喪禮上,卻被Sonny從中搗亂,家聲也因此與Sonny分手了。 但家聲復雜的感情世界并沒有因為這樣得到解決……
養鬼吃人2
Clare Higgins,Ashley Laurence,Kenneth Cranham,Imogen Boorman,Doug Bradley第一集中,少女克莉斯蒂(Ashley Laurence 飾)的家庭遭受魔鬼賽諾貝斯的摧殘,親人相繼死亡,她本人也被送入精神病院治療。除了醫生助手凱爾(William Hope 飾)外,沒人相信克莉斯蒂的離奇故事。當瘋狂的醫生菲利普?切諾德(Kenneth Cranham 飾)從助手口中得知少女的經歷后,他決定將惡魔重新帶回人間。業已死亡的繼母朱莉(Clare Higgins 飾),在這個變態狂人的喂養下再次復活……
我的同桌是極品
宋晨,苑喬王元娥(苑喬 飾)一直以來都深深的愛慕著名為陳喆的男生,可是,王元娥知道自己非常的普通,和在校園里閃耀著耀眼光芒的陳喆相去甚遠,所以選擇將這份感情深深的埋藏在心底。單求胥的父親將兒子送進了王元娥和陳喆所在的班級之中,單求胥的目的很簡單,那就是混到順利畢業,然后出國追求自己的自由自在的人生?! ∫淮闻既恢?,王元娥和單求胥之間爆發了爭吵,但也正因為如此,單求胥得以走進了王元娥的內心,發現了她單純善良的一面,并為此深深著迷??墒牵踉鸬娜啃乃级紥煸诹岁悊吹纳砩希@讓單求胥非常的苦惱。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.