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劇情簡(jiǎn)介
一個(gè)缺乏社交能力,沒(méi)有道德感的白頭兒子,一個(gè)隻跟家人一起出去走走的父親。一天,父親帶著一位年長(zhǎng)的管家,混合了他的身體,然後離開(kāi)了。一個(gè)管家和一個(gè)日夜自焚的兒子。之後,父親帶著與兒子同齡的繼母回家。我把它混合了一夜!
同類好片
阿爾瑪與狼
伊桑·恩布里,李麗君,馬瑟·澤科爾,Alexandra Doke,杰雷米·哈里斯,Beth Malone,達(dá)娜·米利肯,Kevin Allison,Lukas Jann調(diào)味的房子
西恩·帕特維,安娜·沃爾頓,羅希·戴,凱文 霍華斯,杰瑪·鮑威爾,丹尼爾·維維安,阿德里安·布薛特,Christopher Rithin,肖恩·克羅寧蠟筆小新:灼熱的春日部舞者們
小林由美子,楢橋美紀(jì),森川智之,興梠里美,真柴摩利,林玉緒,一龍齋貞友,山寺宏一,瀨戶麻沙美,速水獎(jiǎng),賀來(lái)賢人,日高范子,寶龜克壽,坂本千夏,小峠英二,西村瑞樹(shù)重案·無(wú)罪
張?zhí)炱?步籽穎 Ziying Bu,于榮光,杜玉明,梁焯滿,駱言,吳永康,朱梓玥,樓學(xué)賢,張嘉飛,張苡寧假如比爾街可以作證
琪琪·萊恩,史蒂芬·詹姆士,雷吉娜·金,科爾曼·多明戈,泰柔娜·派麗絲,邁克爾·比奇,安潔紐·艾莉絲-泰勒,埃博妮·奧西迪安,多米妮克·索恩,迭戈·盧納,芬·維特洛克,艾德·斯克林,艾米莉·里奧斯,佩德羅·帕斯卡,布萊恩·泰里·亨利,瑪西婭·讓·庫(kù)爾茨,戴夫·弗蘭科,馬科·查卡,費(fèi)斯·洛根,桃樂(lè)絲·麥卡錫亞當(dāng)·桑德勒:愛(ài)你
丹·布拉,Jonathan Loughran,亞當(dāng)·桑德勒,杰姬·桑德勒,羅伯·施奈德導(dǎo)演精選
7號(hào)房的禮物
1997年,只有6歲兒童智商的智障男子李龍久(柳成龍 飾)和可愛(ài)的女兒藝勝(葛素媛 飾)相依為命,生活雖然簡(jiǎn)單清貧,卻充滿幸福。某天,執(zhí)著為女兒買(mǎi)美少女戰(zhàn)士書(shū)包的龍久意外卷入一起幼童誘拐奸殺案,而死者竟是警察局長(zhǎng)的女兒。龍久懵懂無(wú)知,搞不清狀況,昏頭昏腦就被投入監(jiān)獄。在7號(hào)牢房中,聚集著走私犯蘇楊浩(吳達(dá)洙 飾)、詐騙犯崔春浩(樸元尚 飾)、通奸犯姜萬(wàn)范(金正泰 飾)、恐嚇?lè)咐闲欤ń鸹鶢N 飾)和搶劫犯申奉植(鄭萬(wàn)植 飾)等五毒俱全的“社會(huì)渣滓”。龍久孩子般純潔的心漸漸感動(dòng)了這幾個(gè)“大壞蛋”,他們甚至不惜冒險(xiǎn)將藝勝帶入牢房與父親相會(huì)。黑暗冰冷的監(jiān)牢內(nèi),7號(hào)牢房陽(yáng)光滿滿……
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
麥哲倫
麥哲倫是一位航海家,他秉持人道主義精神和對(duì)正義的信仰,反抗國(guó)王的權(quán)力。然而,當(dāng)他最終掌管香料艦隊(duì),完成首次環(huán)球航行后,他的旅程又將如何揭開(kāi)他自身的謎團(tuán)呢?