在線觀看
劇情提要
一位年輕的母親住在德克薩斯州的馬爾法,在遭受了一次殘酷的性侵犯后,她努力撫養(yǎng)自己的孩子。
暗夜精選
湯姆·賽格拉:好為人師
湯姆·賽格拉殺戮元兇:狙擊手
拉斯·米克爾森,雅各布·克德格恩,勞拉·巴赫,拉克·溫特·安德森,佛雷克·米德·諾高,拉斯·蘭特,Peter Pilegaard殺出魔鬼鎮(zhèn)
丹尼斯·歐哈拉,艾狄森·蒂姆林,蓋瑞·科爾,斯賓塞·崔特·克拉克,喬舒華·萊納德,維羅尼卡·卡維特,愛德華·赫曼,約翰·威斯利·查特曼,埃德·勞特爾,阿拉貝拉·菲爾德,蘭斯·E·尼克爾斯,斯塔萊特·米亞里奧尼,Morganna May,Dodie Brown,Raiden Integra思緒膨脹
Jessica Uberuaga,Michael Marinaccio,魯克·高斯,喬恩·馬克,Steve Hanks勾魂谷
杰米·貝爾,Kris Marshall,Matthew Rhys,Andy Serkis,Hans Matheson可怖之事
蘇菲·特納,基特·哈靈頓,馬西婭·蓋伊·哈登,勞倫斯·歐弗林,喬納森·霍華德,Catherine McDonough,Tigerlily Langford,Zachary Cohen,Jürgen Koenen,Huxley Sheppard四面三角
Barbara Payton,James Hayter,Stephen Murray同系列推薦
假面復(fù)仇
Marco Giallini,Edoardo Leo,Catrinel Marlon亭亭鳳凰臺(tái)
張秋歌,陳友旺,董濤,王瀚邦,周顯欣,梁琛,王曦瑤奪寶生死戰(zhàn)
Grant Show,Vivian Wu,Steve Bacic還魂之迷失曼谷
范逸臣,李昕蕓,李媛,雪村索命哨
達(dá)芙妮·基恩,蘇菲·奈麗絲,珀西·海恩斯·懷特,尼克·弗羅斯特,艾麗·斯考比,楊子英,斯蒂芬·卡林,米卡·阿蒙森,邁克爾·科拉斯,賈納婭·斯蒂芬斯,蘭內(nèi)特·瓦雷,特洛伊·詹姆斯,賈利勒·斯瓦比,蔣如思,朱莉婭·迪揚(yáng),Cameron Gordon Norris,Toria Summerville,Louis Adams,梅努卡·薩瓦爾,克里斯蒂娜·薩赫利遠(yuǎn)足驚魂
塔梅爾·哈桑,芭芭拉·尼德爾加科娃,本·洛伊德·霍爾姆斯,Zara Phythian,Daniel Caren幕后花絮
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
希望的另一面
一個(gè)叫做哈立德的年輕敘利亞難民幾乎失去了所有的家人。近乎偶然之下,他藏在一艘運(yùn)煤船里流落到赫爾辛基成了一個(gè)偷渡客,并在當(dāng)?shù)貙で笳伪幼o(hù)。維克斯特倫是一個(gè)旅行推銷員,他在牌桌上贏了一大筆錢之后在赫爾辛基的一條后街買了一家不賺錢的餐館。在當(dāng)?shù)卣鞒鲆獙⒐⒌虑卜祷匕⒗疹H的判決后,他決定非法留在這個(gè)國家。最終,維克斯特倫發(fā)現(xiàn)哈立德睡在他餐館的內(nèi)院里,并聘請(qǐng)他到自己餐館里做清潔工和洗碗工。生活會(huì)短暫地向我們展示它光明的一面,然而命運(yùn)很快就會(huì)插手其中。