情撼17章

7.6 播放:25萬 更新:2026-04-28

賽茜兒風華正茂,丈夫卻為了讓妻兒得享人壽保險的補償金而自殺。孤兒寡婦,雖然生活無憂,但陰陽永隔,如何克服喪夫之慟,思之不覺黯然。把愛兒交托妹妹照顧,賽茜兒咬咬嘴唇孤身上路。一不留神,讓河水把她帶到另一市鎮。說來奇怪,這地方好象只有男人出沒。少男要在她身上找到慰藉,同性戀男子跟她成為摯友。   

即刻觀影

劇情賞析

賽茜兒風華正茂,丈夫卻為了讓妻兒得享人壽保險的補償金而自殺。孤兒寡婦,雖然生活無憂,但陰陽永隔,如何克服喪夫之慟,思之不覺黯然。把愛兒交托妹妹照顧,賽茜兒咬咬嘴唇孤身上路。一不留神,讓河水把她帶到另一市鎮。說來奇怪,這地方好象只有男人出沒。少男要在她身上找到慰藉,同性戀男子跟她成為摯友。   

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77號頂層公寓

芭比·福特薩,Euwenn Mikaell,JC·阿爾坎塔拉,羅桑娜·羅瑟斯,Jackie Lou Blanco,卡洛斯·西古伊納-瑞納,吉娜·帕雷諾,Chrome Cosio

  Luna, a cruise ship chambermaid, has to quit her job to attend to her sick brother. While doing so, she discovers that her mother has gone missing and her brother's condition is getting progressively worse. The siblings desperately sneak into an empty condo unit but soon discover that Penthouse 77 is not what it seems.

最后一槍2025

Lham Somphol Rungphanit,薩里卡·塞思蘇帕,帕塔納·埃桑固

Petch想擺脫殺手生涯,但逃離過去談何容易?在愛情、忠誠與復仇之間掙扎,他被迫接下最后一單。每一槍響起,賭注都在升級。他的未來與自由,全系于最后一顆子彈。   “終極任務,致命一槍,無路可退。”

聊齋:魅首詭案

吳添豪,馬麗亞,阿麗亞,郭紳鈺,傲蕾

來自西域的舞姬阿離三年前慘死客鄉,身首異處,她的妹妹阿月來到事發的客棧,聯合戲法師李久成和縣令張承合謀演了一出大戲,將三年前涉及此事的相關人等都聚于一堂,巧設妙計讓當年害死姐姐的兇手互相指證現形,最終查明了姐姐死去的真相,洗去了污名并昭雪報仇。

我愛777

舒淇,天心,譚耀文,楊恭如

  占士邦(譚耀文 飾)長得一表人才又頗具才干,是廣告行業內出了名的花花公子。因為對感情缺少信任,年歲漸長的他依舊保持單身,在內心里,他一直希望能夠出現一個“完美的女人”,捕獲他的真心。  最近,占士邦在工作上遇到了點麻煩,他需要策劃一支啤酒廣告,卻苦于沒有靈感。就在這個節骨眼上,仿佛是上天賜給他的禮物,一個神秘的女子茱莉亞(舒淇 飾)出現在了占士邦的生活之中,只是,當占士邦開始注意到茱莉亞之時,她早已經消失的無影無蹤。茱莉亞的冷艷與神秘帶給了占士邦靈感,工作上的問題迎刃而解,與此同時,占士邦亦對茱莉亞的真身產生了興趣。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

婚前脫單快樂

Katlego Lebogang,Siya Sepotokele Raymond

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