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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
連環(huán)殺手夫人
杰奎琳·費(fèi)南德斯,馬諾杰·巴杰帕伊,莫希特·雷納,Zayn Khan一名醫(yī)生因一連串令人震驚的兇惡案而入監(jiān)服刑，他忠心的妻子打算模仿同樣的殺人手法作案，借以證明他的清白。
無(wú)效郵件
小斯特林·馬塞爾,約翰·弗利克,Tomas Boykin,蘇珊·普里弗,Micki Jackson,尼克·海曼,Sean Heyman,Aaron Phifer,Brian Burke,邁卡·菲茨杰拉德,沙里夫·沃爾特斯,David Willis,Joseph Lopez,喬什·哈普,Shelby Sulak,Alyssa Brayboy,Robin D. Stanton,Jackie Green,Shelby Shea,I. Elijah Baughman一份不祥的求助信被傳到了20世紀(jì)80年代的一家郵局里，將一名死信調(diào)查員與一名被綁架的鍵盤技術(shù)員聯(lián)系起來(lái)。
副總統(tǒng)
克里斯蒂安·貝爾,艾米·亞當(dāng)斯,史蒂夫·卡瑞爾,山姆·洛克威爾,娜奧米·沃茨,艾麗森·皮爾,埃迪·馬森,賈斯汀·柯克,麗莎蓋伊·漢密爾頓,杰西·普萊蒙,比爾·坎普,唐·麥克馬納斯,莉莉·拉貝,謝伊·惠格姆,斯蒂芬·阿德利·葛爾蓋,泰勒·派瑞,杰夫·博斯利,吉利安·阿美娜特,馬修·雅各布斯曾拍《大空頭》（The Big Short）聚焦美國(guó)次貸危機(jī)的導(dǎo)演亞當(dāng)·邁凱（Adam McKay）日前與派拉蒙簽約，將導(dǎo)演一部講述美國(guó)前副總統(tǒng)迪克·切尼（Dick Cheney）故事的傳記片。而布拉德·皮特的“B計(jì)劃”制片公司也將繼《點(diǎn)球成金》、《大空頭》后再次與邁凱合作，制作這部電影。迪克·切尼號(hào)稱是美國(guó)歷史上最有權(quán)勢(shì)的副總統(tǒng)，他也是現(xiàn)任美國(guó)副總統(tǒng)彭斯（Mike Pence）的效仿對(duì)象。布什當(dāng)政八年時(shí)間里，表面上切尼是美國(guó)的二號(hào)人物，但實(shí)際上小布什總統(tǒng)（George W. Bush）的很多決定，包括阿富汗戰(zhàn)爭(zhēng)、入侵伊拉克等都是由他定奪的。切尼本人是一個(gè)充滿爭(zhēng)議的矛盾體。他一直都是保守黨派，曾為尼克松、福特、老布什政府做過(guò)幕僚，后進(jìn)入哈利伯頓公司當(dāng)了幾年CEO，然后和小布什一起入主白宮；但他對(duì)于同性戀婚姻卻持支持態(tài)度，因?yàn)樗呐畠菏且幻詰佟４送猓心嵛宕瓮涎硬辉溉ピ綉?zhàn)戰(zhàn)場(chǎng)，卻是個(gè)不折不扣的主戰(zhàn)鷹派。亞當(dāng)·邁凱說(shuō)：“我一直覺(jué)得切尼是個(gè)有意思的人物，很想搞清楚究竟是什么在驅(qū)動(dòng)他、他到底信仰什么。所以我們就做了深挖調(diào)查，結(jié)果令人震驚，切尼堪稱是美國(guó)現(xiàn)代史上最有權(quán)力的政治人物，他在很大程度上塑造了美國(guó)現(xiàn)在的國(guó)際地位，而他為了攫取權(quán)力所采取的方式也令人瞠目結(jié)舌。”亞當(dāng)·邁凱希望能在2017年春拍攝本片，并在年底上映。目前他正在物色合適的演員人選。亞當(dāng)·邁凱拍攝《切尼傳》，意味著他之前接手的《壞血》（Bad Blood）項(xiàng)目要往后推遲了。
蒙上你的眼：逃出巴塞羅那
喬治娜·坎貝爾,馬里奧·卡薩斯,迭戈·卡爾瓦,米歇爾·珍娜,萊昂納多·斯巴拉格利亞,洛拉·杜埃尼亞斯,帕特里克·克里亞多,Alejandra Howard,西莉亞·費(fèi)杰羅,Naila Schuberth,岡扎洛·德·卡斯特,Manel Llunell,米洛·塔波阿達(dá),Brian Lehane,Gerard Oms《蒙上你的眼：逃出巴塞羅那》由《蒙上你的眼》的制作人傾情打造，是 2018 年備受觀眾青睞的熱門電影的衍生作品。在一股神秘力量使世界人口大量減少之后，塞巴斯蒂安必須在巴塞羅那荒涼的街道上展開(kāi)自己的求生之旅。當(dāng)他與其他幸存者結(jié)成不穩(wěn)定的聯(lián)盟，并試圖逃離這座城市時(shí)，一個(gè)意想不到、甚至更加險(xiǎn)惡的威脅正在增長(zhǎng)。
陰陽(yáng)師0
山崎賢人,染谷將太,奈緒,安藤政信,村上虹郎,板垣李光人,國(guó)村隼,北村一輝,小林薰講述安倍晴明學(xué)生時(shí)代的故事。在陰陽(yáng)寮，被譽(yù)為天才的安倍晴明與其他學(xué)生截然不同，他是個(gè)有些討人厭且對(duì)成為陰陽(yáng)師毫無(wú)興趣的怪人。 有一天，晴明受到貴族源博雅的委托，解決襲擊皇族徽子女王的怪異現(xiàn)象。盡管兩人經(jīng)常發(fā)生沖突，但他們還是一起追尋真相。而一名學(xué)生的離奇死亡成為事件火索火索，引發(fā)了卷入平安京的邪惡陰謀和詛咒的動(dòng)亂。