實錄阿部定

評分:8.8 播放:32萬 更新:2026-04-27

根據(jù)昭和11年;阿部定事件改編。東京荒川,中野新井料理店;吉田屋 石田吉藏(江角英明 飾)和在店里打工的女傭阿部定(宮下順子 飾)兩情相悅,發(fā)生關(guān)系,很快為吉藏妻子得知。為避人耳目,吉藏和阿定搬出,暫住與于荒川的旅店;滿左喜中。自由的二人不分晝夜,時時刻刻沉溺于無邊的x愛之中。他們的游戲逐漸升級,對對方的依戀也不斷加深。終于在最后一次狂野交媾中阿定將吉藏縊死,割下陽具,在業(yè)已冰冷的尸體上刻下;定吉二人 

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  《瑪?shù)铝盏默數(shù)铝铡肥敲绹畬?dǎo)演約瑟芬·戴克最新的一部作品。這部電影講述了一個戲劇導(dǎo)演,在創(chuàng)作她最近的作品時所產(chǎn)生的故事。這也是約瑟芬·戴克的第14部作品。作品中的角色和她本人頗為相似,同樣作為導(dǎo)演的她,也是一名演員。戴克以往的作品,總是帶著一定程度上的形式化的美感,也顯露著女性特有的細(xì)膩。在她的作品中,鏡頭更像是一雙可以無限接近角色人物的眼睛,時刻捕捉著主觀視角下的人物的行動和當(dāng)時的情內(nèi)心狀態(tài)。

請以你的名字呼喚我

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John Price,Preben Neergaard,Lotte Tarp

  The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.