姨母的誘惑

★ 9.4 播放：68萬 更新：2026-04-24
主演：陳詩雅 許娜京 

男主準備考試，無人照顧，便去姨母家寄宿，萬萬沒想到姨母的女兒竟然是男主曾經的一夜情對象，而姨母的女兒并不在意，還常常跟男主做ai，姨母是個曾被感情傷害過的女人，多年一直單身，家中心來的男主正直陽剛之時，姨母竟然做起了跟侄兒的春夢，常常醒來以后內褲都會濕透，終于有一天，借著酒勁，姨母將男主誘惑上了床...

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劇情簡介

男主準備考試，無人照顧，便去姨母家寄宿，萬萬沒想到姨母的女兒竟然是男主曾經的一夜情對象，而姨母的女兒并不在意，還常常跟男主做ai，姨母是個曾被感情傷害過的女人，多年一直單身，家中心來的男主正直陽剛之時，姨母竟然做起了跟侄兒的春夢，常常醒來以后內褲都會濕透，終于有一天，借著酒勁，姨母將男主誘惑上了床...

導演精選

瘋狂的兔子

　　未來某城市，藝校姑娘然然（柳田 飾）常帶鄰家小孩豆豆（趙夢洋 飾）玩耍，不料在一起偶然事件中豆豆丟失，她焦急萬分。此時，城市上空降臨UFO，宇航局安全處派出的特工莫名其妙失去了記憶。局長（王鷹 飾）讓偵察員葉云（李藝 飾）觀看監視錄像，錄像中似有一個類似豆豆的身影出現，但很快便消失了。與此同時，班上來了一個酷似豆豆的學生李大米，他隨身攜帶一個神奇的游戲光盤，如果誰玩光盤大喊“神奇的兔子”，不可思議的事情發生了，兔子竟然跳到人的身上，兔形浸入人的衣服和皮膚，而人也變的瘋狂暴唳。然然因拒絕玩此游戲，瘋狂的兔子弄壞了她的樂器。原來，西伯爾星球科學家劫持了豆豆并改變了其大腦，改名換姓派回地球作惡......

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

陌生人：第三章

 在系列終章中，幸存者們將面對蒙面陌生人的新威脅。隨著秘密浮出水面，現實與危險的界限逐漸模糊，他們的生存之戰也愈發兇險。