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劇情提要
一位年輕女子搬進了一棟新建筑,很快奇怪而可怕的事情開始發生。
暗夜精選
罪生咒
真情未語
Juan Karlos Labajo,JC·桑托斯,RK Bagatsing,Jaime García Herranz皮附
Tristan Beint,Amelia Bennett,Simon Rivers惡魔的破壞 后篇
幾田莉拉,志水彩乃,種崎敦美,島袋美由利,大木咲繪子,和氣杏未,白石涼子,入野自由,內山昂輝,坂泰斗,諏訪部順一,津田健次郎太平洋戰場
Jesse Richardson,Ellen Williams,Michael Thomson,James Storer,Leigh Walker,Darrell Plumridge,Samuel Peacock,Katie Anderson百燭游戲2
Magui Bravi,Nacho Francavilla,Josefina Fari?a索蕾:來自未來的妻子
希拉·達拉·艾莎,迪翁·維約科,David Gojkovic同系列推薦
裂口女
佐藤江梨子,加藤晴彥,水野美紀,川合千春瘋狂的兔子
柳田,趙夢洋,陳述,崔岳,黃迎,常藍天數碼寶貝大電影五:冒險者的戰斗
野澤雅子,津村真琴,多田葵,山口真弓,今井由香,折笠富美子,金田朋子,金光宣明,松谷彼哉,金子由之,永野愛,三石琴乃,小野健一,佐伯志,松尾銀三,津久井教生,坂本千夏,小杉十郎太西伯利亞的理發師
朱莉婭·奧蒙德,歐列格·緬希科夫,阿列克謝·彼得連科,理查德·哈里斯,弗拉基米爾·伊林蜜戀合租
孫志強,徐海文,謝雨欣別告訴媽媽保姆死了
朱恩·斯奎布,丹妮爾·哈麗絲,喬安娜·卡西迪,Phoenix Parnevik,泰里克·威瑟斯,杰梅因·福勒,妮可·里奇,Iantha Richardson,邁爾斯·福勒,格斯·肯沃西,Simone Joy Jones,Patricia Williams,Donielle T. Hansley Jr.,阿亞米·斯萊奇,特莉薩娜,Robert M. Lee,卡特·揚,Lizet Upia,Hannah Wimbrey,Dominique Toney幕后花絮
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.
主謀
在天眼尚未密布,監場保安仍會打瞌睡的二十世紀七十年代,名畫大盜就是會光天化日,大剌剌走進美術館,直接把獵物從墻上取下放入布袋運走。看似兒戲的一切,背后主謀還要是住在市郊、人畜無害的住家男人。凱莉·萊卡特完全棄用好萊塢盜寶片敘事公式,改以其擅長的左翼簡約主義鏡頭,捕捉觸犯藝術罪行者的日常生活、雙面人的言行處境,以及事件周遭人情冷暖。阿瑟多夫的抽象畫作未必是一個借口,但到頭來凸顯存在荒謬的公路逃亡,儼然為觀眾添加了不少欣賞和思考的層次。