　　1942年，生活在斯德哥爾摩的瑞典籍美國石油商人埃里克?埃里克森突然發現自己上了美國的納粹合作者黑名單，急于辨白。而這一切是盟軍情報機關的安排，意在逼迫埃里克成為間諜，因為他可以方便地進出德國。無奈的埃里克只得就范，他開始公開表現親近納粹，甚至不惜傷害最親密的猶太人朋友坎普爾。朋友和親人們都疏遠了他，但只有坎普爾暗中相信埃里克這樣做必有難言的原因。　　很快，埃里克就和德國人拉上了關系，并將德國石油業巨頭格哈德?奧倫道夫爵士、石油商人奧托?豪茲拉下水，組成一個間諜小組，他的代號為“萊德”。　　同時，埃里克與篤信宗教的德國地下抵抗組織成員瑪麗亞娜取得聯絡，喬裝成情人幽會，騙過監視的蓋世太保，不斷將她提供的情報記憶下來后帶回瑞典。埃里克與瑪麗亞娜為了事業均是家庭不幸，兩個人傾心相戀。埃里克雖是諜海新兵，但他沉著堅毅，多次避過危險。　　在奧倫道夫的努力下，埃里克獲準在瑞典為德國“建設”煉油廠，于是得到了參觀德國石油工廠的機會，一次，埃里克與奧倫道夫目睹納粹絞死罷工工人的場面，被深深觸動，開始由被迫工作轉向自覺行動。他們的情報使盟軍得以準確轟炸，令德國損失慘重。　　一段時間后，奧托因病去世，由于密信可能泄露，盟軍情報機關決定停止埃里克小組的活動。但埃里克惦念瑪麗亞娜，同時也為了取回至關重要的納粹航空燃料生產情報，他毅然再次前往德國。埃里克一到柏林就被關進蓋世太保監獄，并親眼看到因身份暴露被捕的瑪麗亞娜殉難。但他強忍悲痛，咬定自己只是瑪麗亞娜的情人，蓋世太保沒有證據只好放人。　　埃里克從格哈德處拿到情報，又前往漢堡銷毀奧托的密信，不料被跟隨的蓋世太保察覺。埃里克機智逃脫，并與漢堡的盟國諜報網取得聯系，在地下組織和丹麥百姓的幫助下，埃里克越過邊境，經哥本哈根渡過海峽，安全返回瑞典。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

天大的事

邵峰,劉惠,韓三明,張瑞雪,張衡平,郭晗

　　該取材于武穴市4000多名黨員下社區、進小區，通過黨建引領老舊小區改造的故事：建于上世紀七、八十年代的老油廠小區，有9棟樓160多戶居民，是一個典型的無物管、無主管部門、無人防物防的“三無”小區。這里許多居民亂搭亂建雜物間、小車棚，下水道破損無人維修，生活污水橫流，居住環境十分惡劣。有條件的住戶外出購房搬離后，又將這里的房子出租出去，導致這兒的居住環境更加復雜。龍潭社區主任張昊陽借老舊小區改造之際，做活黨建+的文章，派出社區片警樊玉鋒任第一支部書記，引導居民開展“法治、德治、自治”。在社區工作者和小區黨支部+業主委員會的共同努力下，解決了一批居民急難愁盼的事，終于讓居住在這里的近千名群眾生活出現了新業態。

超時空輝夜姬！

夏吉優子,永瀨安奈,早見沙織,入野自由,內田雄馬,松岡禎丞,青山吉能,小原好美,菲魯茲·藍,花江夏樹,釘宮理惠

“月讀”是希望與夢想交會的虛擬空間，而舞臺幕布將緩緩升起，見證幾位少女在此譜寫短暫卻珍貴的相遇篇章。　　不久的未來…… 　　東京的 17 歲高中生酒寄彩葉過著非常忙碌的生活，努力在打工和學業之間尋找平衡。她的紓壓方式是觀看很有人氣的月見八千代直播，八千代管理名為“月讀”的線上虛擬空間。　　彩葉時常光顧月讀，在那里可以體驗不同的人生，自由揮灑創意。她就靠著支持八千代度過空閑時間，還會玩戰斗游戲賺一點外快。有一天，在回家路上，彩葉發現一根電線桿閃耀著奇異光芒，沒想到電線桿里竟然憑空冒出一個可愛的寶寶。彩葉沒辦法隨手拋棄寶寶，只好把她抱回家，眼睜睜看著她迅速長成一個跟自己同齡的少女。　　“你是輝耀姬嗎？” 　　這是你絕對不曾看過的輝耀姬物語。

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超時空輝夜姬！

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