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魔鬼蜘蛛男
藤田進,岡譲司,舟橋元,松下猛夫,風間繁美,八島恵子,宮城千賀子納什維爾謀殺案
Sarah Zanotti,Nick Puya,科賓·蒂布魯克,Kate Dailey,Alex Bowling,Ellen B. Williams,Christopher St. Mary,Trisha Owen,Diane D Carter,Allen C. Shepherd Sr.金發
巖田剛典,白鳥玉季,門脅麥,山田真步,田村健太郎,內田慈奪魂醫生
Andrew Prine,Jason London,Carlos Lauchu寬恕我們
莉莉·沙利文,卡蘭·馬爾韋,理查德·勞斯伯格異次元駭客
克雷格·比爾克,阿明·繆勒-斯塔爾,格瑞辰·摩爾,文森特·多諾費奧,丹尼斯·海斯伯特,斯蒂文·沙博,Jeremy Roberts,里夫·霍頓,萊昂·里皮,珍妮特·麥克拉克倫,布拉德·威廉姆·亨克,伯特·布洛斯,Venessia Valentino,霍華德·S·米勒,蒂婭·德克薩達,施瑞·阿普萊碧,鮑勃·克萊德寧,艾莉森·洛曼,Hadda Brooks,厄尼·里夫利,托妮·索耶,Brooks Almy,李韋弗,杰弗里·里瓦斯,Travis Tedford,杰夫·布魯門克蘭茨,約翰尼·克勞福德,Tracy P同類推薦
困在時間里的父親
安東尼·霍普金斯,奧利維婭·科爾曼,馬克·加蒂斯,奧莉維亞·威廉姆斯,伊莫琴·普茨,盧夫斯·塞維爾,阿耶莎·達爾克,羅曼·澤勒,雷·伯內特,阿德南·昆迪,斯科特·穆林斯,布賴恩·羅杰,艾薇·維影片以重復加碎片式的感官敘事手法,講述了年邁且身患疾病的安東尼(安東尼·霍普金斯 Anthony Hopkins 飾)正在面臨一項艱難的人生選擇——是搬到養老院還是接受女兒尋找的新護工。在這個過程中,安東尼發現自己仿佛進入了一場奇怪的時空之旅,錯亂的記憶和時間線交織出一段段匪夷所思的故事,而一個個陌生又熟悉的人也讓他陷入迷茫。影片根據法國小說家兼劇作家佛羅萊恩·澤勒的舞臺劇《父親》改編。
毛骨悚然撞鬼經 2013夏季特別篇
指原莉乃,坂口憲二,深田恭子,藤谷太輔,鈴木福《恐怖的二樓》少年畑野龍(鈴木福 飾)似乎天生具有靈視的能力,他和外婆、媽媽(YOU 飾)搬到新家,結果發現他們不是這里的唯一住戶。小龍看見了女鬼,可是媽媽卻不相信;《X醫院》信心受挫的實習醫生佐佐木直樹(藤谷太輔 飾)倍感壓力,在此期間,各種詭異事件也交替在他身邊出現,令他疲于奔命;《影子的暗示》厭倦了枯燥的工作,遠山美和(深田恭子 飾)計劃轉職旅游公司,期間她時常會看見神秘黑影,而黑影所至之處必然發生災難;《女子高中大危機》在女子高中任教的澤木洋介(坂口憲二 飾),其班上名叫亞里沙的女孩似乎制作了一個地下網站,他沒有料到,恐怖的危機正慢慢降臨這所高中;《蠕動的人偶》園田里菜(指原莉乃 飾)在街上相中了一個士兵人偶,于是不假思索將其買了下來,誰知這個仿佛有生命的玩偶正漸漸影響她的生活。
火中金
張桐,侯天來,李易祥八路軍教導員王金執行鋤奸任務失敗又遭叛徒誣陷,被組織審查。王金憑著對黨的忠誠和堅強的意志率領這些身份復雜、性格迥異的人最終組成了一支神秘的隊伍,出生入死、歷經艱險,突破重重險境,重新匯入抗日洪流,最終完成了鋤奸任務的故事。
六號關口
凱特·波茨沃斯,托馬斯·克萊舒曼,盧錫安·拉維斯科特,馬丁·麥凱恩After serving two years on a military outpost in the middle of an ocean – four soldiers are waiting for a new crew to replace them. When the long-awaited boat finally appears, it’s empty with no relief on board. When trying to find out what happened to the boat and the missing crew, they realize they’ve lost all communications with home. Cut off from the rest of the world and no one coming to get them, Baines, Sullivan, Cassidy and Hendryx must fight with suspicions about each other and find a new way to get home. If home still exists.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.