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夢之安魂曲
艾倫·伯斯汀,杰瑞德·萊托,詹妮弗·康納利,馬龍·韋恩斯,克里斯托弗·麥克唐納,露易絲·拉塞爾,瑪西婭·讓·庫爾茨,珍妮特·薩諾,蘇珊妮·謝潑德,夏洛特·阿羅諾夫斯基,馬克·馬戈利斯,邁克爾·卡切克,杰克·奧康耐,斯科特·富蘭克林,亞伯拉罕·阿羅諾夫斯基,歐嘉·梅雷迪斯,本·申克曼,凱斯·大衛(wèi),迪倫·貝克,肖恩·奧哈根,比爾·布爾,吉米·雷·威克斯,斯坦利·B·赫爾曼多力特的奇幻冒險
小羅伯特·唐尼,湯姆·赫蘭德,拉米·馬雷克,麥克·辛,杰西·巴克利,艾瑪·湯普森,拉爾夫·費因斯,安東尼奧·班德拉斯,瑪麗昂·歌迪亞,賽琳娜·戈麥斯,約翰·塞納,卡門·艾喬戈,庫梅爾·南賈尼,奧克塔維亞·斯賓瑟,拉爾夫·伊內(nèi)森,吉姆·布勞德本特,克雷格·羅賓森,弗朗西斯·德·拉·圖瓦,卡夏·斯穆特尼亞克,奧利弗·庫珀史密斯,尼克·穆罕默德,托尼婭·科妮斯,薩克·霍蘭,納西爾·賈瑪,貝恩·科拉科,約瑟夫·巴德拉瑪,薩姆森·卡約,史蒂芬·薩姆森,塔希爾·布爾漢,保羅·霍洛瓦蒂飛蛾日記
莎拉·伯格,莎拉·加頓,莉莉·科爾,斯科特·斯比德曼宇宙怪獸加美拉
マッハ文朱,小島八重子母親2009
金惠子,元斌,晉久,尹宰文,全美善,宋清晨,千玗嬉,鄭煐禥,高圭弼,李美度,樸明申,李姃垠七月寒潮
邁克爾·C·豪爾,山姆·夏普德,唐·約翰遜,凡妮莎·肖,懷亞特·拉塞爾同類推薦
不離不棄2026
張芷溪,初俊辰,沈曉海,黃俊鵬,楊青倩電影主要講述了睿智沉穩(wěn)的徐文軒、外表文靜秀美但性格反叛火爆的白若雪，與偽君子海石在游戲世界相遇相識后，在現(xiàn)實世界里產(chǎn)生糾葛的愛情故事。
殺出銀河系
Edward Albert星際聯(lián)盟收到探索飛船發(fā)出的求救信號后立刻派遣星際精英特種小組前去營救，由于機器故障飛船迫降到那個荒蕪且怪異的星球上。不久后，船員在星球上發(fā)現(xiàn)了那艘廢棄的飛船，但里面的飛行員都莫名其妙的死去，為了防止尸體異變，他們決定把尸體全部銷毀。隨后船員們發(fā)現(xiàn)了金字塔般的巨大建筑物，然而噩夢從此開始，他們釋放了金字塔中所有的嗜血星際怪獸，星球瞬間被恐怖包圍，喪尸怪獸一并向人們襲來，他們該如何挽救自己…… （此片精彩的沒話說，星球大戰(zhàn)般的場景加異型的特效以及著名的cult片演員們齊聚在一塊所產(chǎn)生的名詞是什么？那就是經(jīng)典~！ 這部B級片的經(jīng)典程度已經(jīng)影響到未來科幻恐怖電影的發(fā)展前途，像黑洞表面之類的電影就是對其進(jìn)行無恥的抄襲。影片甚至影響了*本成人動漫的一個類型，那就是觸手系漫畫~片中有經(jīng)典的蠕蟲強*金發(fā)奶霸的震撼鏡頭，這就是八十年代恐怖片的魅力……）
日本的首領(lǐng)：完結(jié)篇
三船敏郎,菅原文太,大谷直子,佐分利信,片岡千惠藏 ,西村晃,山本由香利,佐藤慶,遠(yuǎn)藤太津朗,高橋悅史,二宮小夜子,渡邊文雄,仲谷升,金子信雄,小池朝雄,東惠美子,稻葉義男,小林稔侍,待田京介,真野玲,櫻町弘子,志賀勝,鈴木瑞穗,寺田農(nóng),安部徹大石剛介（三船敏郎 飾）升任關(guān)東同盟理事長，與中島組佐倉一誠（佐分利信 飾）勢均力敵，維持著表面的和平。但日本政界要員大山喜久夫（片岡千惠藏 飾）因癌癥病倒，幾乎再次點燃兩派戰(zhàn)火。大山幸得一宮恭夫（高橋悅史 飾）醫(yī)治死里逃生，因此號召幫派聯(lián)合，遭到兩派抵制?！ 〈藭r塞班島開發(fā)項目成為抗?fàn)幍膶?dǎo)火索。中島組干部川西（菅原文太 飾）為籌措資金，強令木村建設(shè)破產(chǎn)，并將木村之女獻(xiàn)給保守黨要員刈田（西村晃 飾）。另一方面，大石拉攏刈田的兒子春男入伙，作為特使赴塞班島向美國官員行賄。大山暗示佐倉除去大石，一場攪和了黑幫、政客、外國人的紛爭就此展開，而佐倉似乎也朝日本首領(lǐng)的目標(biāo)又邁進(jìn)了堅實的一步……
煎釀三寶
楊千嬅,劉青云,許冠文,李蘢怡,許紹雄龍雁飛（許冠文 飾）是一個著名的武俠小說家，十年了都沒有新的作品面世了，不過以往的暢銷作品仍然帶給他客觀的收入，生活無憂。他的女兒Sophia（楊千嬅 飾）是個早已到了適婚年齡，但她戀愛運甚差，只想找一個真正可以過日子的人結(jié)婚，其實她一直暗戀自己的上司——花花公子Frankie（劉青云 飾）。Frankie因為意外要搬到Sophia的家住，龍雁飛看見自己心愛的女兒被Frankie當(dāng)工人使喚，心里很不是滋味，便對Frankie充滿了敵意，但在后來的相處中，兩個男人又成了知己……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.