朝九晚五

評分：4.0 播放：23萬 更新：2026-04-28

德國紀錄片，10個故事，10段人生，記錄下女優男友們的希望以及夢想。 不景氣的時代，上看數億、最賺錢的產業─大人情色娛樂影片！ 本世紀最受爭議的情色片現場大公開，帶你偷窺 ;什么叫作色情工業！ ~榮獲 蒙特婁電影節│里約熱內盧國際影展│倫敦雨舞影展 邀請參展 ~本世紀最受爭議的情色片現場大公開，帶你;偷窺 什么叫作色情工業！ 【二十秒的歡樂】知名紀錄片導演 詹恩斯．霍夫曼Jens Hoffmann 挑戰情色極限腥作！ 演員：性感女神 蓓拉多娜Belladonna、率領數十妖嬌女體 激情演出、【動物畸情】奧托鮑爾 Otto Bauer 【情色電影拍攝實錄】是一部揭開大人電影產業里辛辣、情色等禁忌層面的話題電影，由擅長捕捉另類人性的導演簡斯．霍夫曼掌鏡，將呈現我們一般無法深入參與的情色重工業內幕！ 本片由A片男女演員實境演出，這些演員演出他們自已，在看似原始粗獷的ML配中，實則創造出比其它娛樂產業更高的效能產值。超過一年以上的實景拍攝，赤裸洞察十個不同的故事，傳達這些主角們銀幕與私生活的拿捏與分野，關乎他們的生活以及夢想。 然而這份工作的生命周期通常很短，只能像火花般燦爛地綻放，隨即結束于特殊職業與平凡生活的對立中。這群性表演者，盡情在鏡頭前以自已豐腴溫潤的肉體來為自已贏得掌聲，寫下紀錄片型式中，華麗得不得了的一頁！ 　　

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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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