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劇情提要
富家子林大衛一向沉溺酒色,遇上心儀的朱丹楓后,自此修心養性。林的好友陳漢民早已與朱情味相投,惟見林狂戀朱,遂大人之美,且促成他們婚事。但婚后林疑心妻與陳有染,二人因而蒙冤,陳為表清白,決赴歐洲另求開展.......
暗夜精選
祖魯
奧蘭多·布魯姆,福里斯特·惠特克大廚
讓·雷諾,邁克爾·揚,Rapha?lle Agogué,朱利安·波義塞利爾,莎樂梅·斯蒂文寧,Serge Larivière超時空輝夜姬!
夏吉優子,永瀨安奈,早見沙織,入野自由,內田雄馬,松岡禎丞,青山吉能,小原好美,菲魯茲·藍,花江夏樹,釘宮理惠界障
艾伯特·伯尼,弗蘭克·莫斯利,考莉·埃爾南德斯豬豬俠·一只老豬的逆襲
陸雙,山新,唐嶷,陳思宇,徐經緯,任景行, 周健致我們終將逝去的青春
楊子姍,趙又廷,韓庚,江疏影,劉雅瑟,張瑤,包貝爾,鄭愷,王佳佳,黃宥明,佟麗婭,孫瑋,王森,黃小蕾,楊瀾,宮哲,崔文璐,韓紅,潘虹,李大光,馬小寧,郝姍姍忠勇之家
葛麗亞·嘉遜,沃爾特·皮金,特雷莎·懷特,梅·惠蒂,雷吉納德·歐文,亨利·崔佛斯,理查德·內伊,亨利·威爾克松,Christopher Severn,Brenda Forbes,Clare Sandars,Marie De Becker,赫爾穆特·丹丁,約翰·阿伯特,Connie Leon,里斯·威廉姆斯,Harry Allen,Frank Atkinson,Sybil Bacon,弗蘭克·貝克同系列推薦
異形怪胎
布魯克·亞當斯,詹姆斯·凱倫,麗莎·庫卓,凱西·格里芬,Jeff Hayenga觀光路線
喬什·杜哈明,丹·福勒,米勒克爾·勞麗,Christie Burson,彼得·邁克爾·戈茨花月佳期電影版
吳奇隆,楊采妮,葛民輝,張庭,何家駒,劉洵,黎彼得,黃一飛犬之力
本尼迪克特·康伯巴奇,克爾斯滕·鄧斯特,柯蒂·斯密特-麥菲,杰西·普萊蒙,托馬辛·麥肯齊,基思·卡拉丹,弗蘭西絲·康羅伊,吉娜維夫·萊蒙,肖恩·基南,George Mason,David Denis,科恩·霍洛維,愛麗絲·恩格勒特,Yvette Reid,斯特芬·勞瓦特,瓦季姆·列多戈羅夫,朱莉·福塞斯,彼得·卡羅爾,艾莉森·布魯斯,大衛·T·林,亞當·比奇,Ramontay McConnell,Max Mata,Ken Radley被撓
大衛·法里爾,迪倫·里夫,大衛·斯塔爾,哈爾·卡普,戴維·達馬托來聊聊須緒美吧
長澤雅美,西島秀俊,松坂桃李,瀨戶康史,遠藤憲一,小林隆,坂東彌十郎,戶塚純貴,阿南健治,梶原善,宮澤艾瑪幕后花絮
無跡之人
在一個陌生的城市醒來,一個對自己是誰沒有記憶的人必須面對自己身份的謎團。但他不顧一切地尋找自己的過去,使他與強大的敵人對抗,導致一場決戰,這將決定他的命運并揭示他的真實身份。——哥斯拉
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.