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過家家2026
成龍,彭昱暢,張佳寧,潘斌龍,李萍,牛犇,劉敏濤,馮兵,李宗恒,芮丹尼,黃才倫,老四,黃炎,韓棟,張國慶,劉頔,劉洋,陳昊明,那家威,楊帆,永辰,李洪權,胡笑源,傅曉娜,韓沐霏,李太言,朱秈秈4度空間大師
羅伯特·蘭辛,李·麥瑞威瑟,James Congdon化身博士
弗雷德里克·馬奇,米利亞姆·霍普金斯,羅絲·霍巴德,福爾摩斯·赫伯特77號頂層公寓
芭比·福特薩,Euwenn Mikaell,JC·阿爾坎塔拉,羅桑娜·羅瑟斯,Jackie Lou Blanco,卡洛斯·西古伊納-瑞納,吉娜·帕雷諾,Chrome Cosio正義的子彈
丹尼·特雷霍,Timur Turisbekov,Doroteya Toleva,雅娜·梅里諾娃,Semir Alkadi,Neli Andonova,Dinko Angelov,Gergana Arolska,Ester Chardaklieva,Svetlio Chernev,Dara Kandi,Dumisani Karamanski,Vei Fan Li,Alexander Ralfietta,Dessy Slavova沉默的艦隊2
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亞當·布羅迪,泰勒·萊伯恩,巴勃羅·施瑞博爾,托比·哈斯,喬伊·科恩,扎克里·奈頓,Heidi Heaslet驅魔龍族馬小玲
黃宗澤,吳千語,蔡潔,呂良偉,劉心悠,廖子妤,黃文慧,朱栢康,吳啟洋,黃梓樂,萬綺雯,蘇麗珊,郭柏妍尼諾
西奧多·佩爾蘭,威廉·勒布吉歐,莎樂美·德瓦斯,讓娜·巴利巴爾,卡米莉·拉瑟福德,埃斯特爾·梅耶爾,維克圖瓦爾·杜布瓦,馬修·阿馬立克,Pascale Oudot,Ma?l Besnard,Elodie Roy,Amaury Arboun,利森·丹尼爾,Charlotte Lainé,Balthazar Billaud,艾爾莎·布尚,Quentin Gouget,Alexandre Desrousseaux,Mounir Belhidaoui,Lola Felouzis走火交易
恩佐·科倫蒂,薩姆·賴利,邁克爾·史麥利,布麗·拉爾森,基里安·墨菲,艾米·漢莫,沙爾托·科普雷,巴布·塞賽,諾亞·泰勒,杰克·萊諾,馬克·蒙迪歐,帕特里克·博金,薩拉·德,湯姆·戴維斯廢柴同盟
曾志偉,吳鎮宇,邵美琪,黃卓玲,謝天華,盧海鵬,秦煌,林偉健綁架2016
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劇中計
詹姆斯·巴林頓,埃里克·格恩斯,Tom Hutch四名劇場演員在倫敦排練即將在西區上演的復仇舞臺劇時,隨著彼此之間的秘密戀情逐漸曝光,參雜著才華嫉妒與愛恨糾葛。在一連串的陰謀與反擊中,原以為的盟友,竟私下已與旁人聯手陷害自己,這場角力最終將演變成致命的殺機。
毛骨悚然撞鬼經 2022夏季特別篇
稻垣吾郎,神尾楓珠,山下美月,小野花梨,佐佐木明希,鈴木優華,巖田剛典,梶原善,大友花戀,田中美佐子,千原靖史,高城蕾妮,百田夏菜子,玉井詩織,佐佐木彩夏
異形地球
Belinda Mayne,Mark Bodin,Roberto Barrese劇情大概: 一個執行太空任務從宇宙歸來的太空艙里的船員被天外異形下了藥變成了可怕的怪物,這種異形能寄生到人體使其發生肢體變異。同時期一組洞穴探險員來到城市郊外溶洞探險,沒想到此地已經被異形占領,他們只能靠本能來逃脫異形所設下的種種陷阱……(說起山寨,意大利人才應該算是鼻祖吧,就如同這部電影標題一般…不要對這部電影有任何企圖,他只會讓你變成撲克臉- -) 血腥度:4 片中怪物數量:? 怪物類型:外星生物 怪物特點:寄生 怪物必殺技:變形 怪物惡心度:3
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster