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燭影危林
卡羅琳·麥柯米克,喬爾·托貝克,里桑·瓦倫丁A blended family from the city buys a house sight unseen in an isolated backwoods hamlet. Things get rocky when the locals aren't as welcoming as expected and a dangerous urban legend turns out to be true. In their struggle to put down roots, they find their sanctuary in peril-and their lives threatened-by the land's haunted past.
尋秦記電影版
古天樂 , 林峯 , 宣萱 , 郭羨妮 , 滕麗名 , 白百何 , 苗僑偉 , 張繼聰 , 朱鑒然 , 吳樾 , 洪天明 , 高戰 , 鄧一君 , 廖啟智 , 歐瑞偉 , 陳國邦 , 黃文標 , 蔡一智 , 廖子妤 , 鄭雪兒 , 徐偉棟 , 洪天照來自21世紀的項少龍(古天樂 飾)曾意外穿越,并助秦王(林峯 飾)一統天下,這段跨越時空的宿命糾纏將兩人緊緊捆綁,兩人也成為亦師亦友的情感羈絆。然而,在項少龍歸隱田園多年后,未知穿越者卻驟然降臨,大國基業陷入傾覆危機,秦王不得不求助于早已不問世事的項少龍。面對足以顛覆歷史的強敵,他們能否放下芥蒂聯手抗敵?那段摻雜著師徒之恩、君臣之畏與知遇之情的情感,又將成為保護彼此的鎧甲,還是刺向對方的利刃?
贖命
Leslie-Anne Huff,Roy Werner,Kimberly Estrada,陳奕迅,Lee Perkins少女凱特(萊斯利-安妮·哈芙 Leslie-Anne Huff 飾)擁有一種神奇的能力,隨便什么人,她只要看上一眼,便能知道他的死期為何時。一次偶然中,凱特遇見了名為杰森(Anthony Chaput 飾)的男子,凱特發現杰森擁有能夠在死后和現世交流的能力,并且,杰森的死期就在幾個小時之后。一直想要知道死后世界是什么模樣的凱特擺脫杰森在死后同她聯絡,杰森興然應允。 果然,很快杰森便死了,在臨死之時,一副詭異恐怖的畫面出現在了杰森的眼前。之后,凱特果然接到了杰森來自“陰間”的電話,根據杰森的指使,凱特需要前往香港,在那里,一位名叫達倫(陳奕迅 飾)的酒保正在等她。
奇幻西游:新世界
許光漢,劉冠廷,庾澄慶,邵雨薇,庹宗華,鐘欣凌,魏如萱,許展榮,許展瑞未來世界,科技與數據主宰一切,當舊城區變得又老又擠,以最新科技打造的新世界,成為人人向往的移居地,然而唯有貢獻值最高的菁英,才有資格入住。八戒(許光漢 配音)又懶又自私當然失格,但他為了讓奶奶(鐘欣凌 配音)過好日子,決定違背良心,與建商總裁牛魔王(庹宗華 配音)私下交易…… 影片將《西游記》搬到科幻場景,八戒化身賽博胖客,與理工男三藏(劉冠廷 配音)、火爆護衛悟空(庾澄慶 配音)、女機器人小凈(邵雨薇 配音),穿梭新舊混雜市景,探索幸福真諦。
回到從前
伊桑·霍克,艾瑪·沃森,大衛·休里斯,戴文·博斯蒂克,戴爾·迪奇,艾倫·阿什莫,亞當·布切,大衛·丹席克,阿隆·艾布拉姆斯,羅泰爾·布魯特,彼得·麥克內爾故事發生在1990年,美國一名汽車修理工約翰·格雷(大衛·丹席克 David Dencik 飾)因涉嫌猥褻自己的女兒安吉拉(艾瑪·沃森 Emma Watson 飾)而遭到逮捕。負責調查此案的警官布魯斯·肯納(伊桑·霍克 Ethan Hawke 飾)對約翰展開問詢,而在這一過程中約翰起先承認罪行,隨后又突然失憶。為了應對這一突發狀況,心理學教授肯尼斯·睿恩斯博士(大衛·休里斯 David Thewlis 飾)也介入調查之中。他們發現,約翰信奉崇拜魔鬼撒旦的黑宗教,甚至布魯斯的搭檔都有可能參與其中。布魯斯和肯尼斯想方設法要打開嫌疑人和受害者的記憶閘門,讓他們想起最不堪回首的一段往事…… 本片根據真實事件改編。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster