威尼斯之戀

★ 6.5 播放：49萬 更新：2026-04-26

別名：《死于威尼斯》《威尼斯生死戀》《愛在威尼斯》，故地重游，朱顏映紅綢，無端添了鬢間落眉愁，欲說卻還休，恩情盡逐付東流；長街寂寂，流水悠悠，廊前殿外舊碼頭，無奈物是人非空了舊妝樓；往昔風(fēng)流，今日如仇，可嘆韶光枯朽。卻是生死別了兩頭，將赴黃泉游，生死契闊難執(zhí)子之手，雨雪霏霏柳隨風(fēng)走，人去矣，君莫羈留，只當(dāng)黃粱夢已休，莫教黃花空瘦。

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別名：《死于威尼斯》《威尼斯生死戀》《愛在威尼斯》，故地重游，朱顏映紅綢，無端添了鬢間落眉愁，欲說卻還休，恩情盡逐付東流；長街寂寂，流水悠悠，廊前殿外舊碼頭，無奈物是人非空了舊妝樓；往昔風(fēng)流，今日如仇，可嘆韶光枯朽。卻是生死別了兩頭，將赴黃泉游，生死契闊難執(zhí)子之手，雨雪霏霏柳隨風(fēng)走，人去矣，君莫羈留，只當(dāng)黃粱夢已休，莫教黃花空瘦。

導(dǎo)演精選

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

加州套房

 故事發(fā)生在加州酒店之中。著名演員戴安娜（瑪吉·史密斯 Maggie Smith 飾）和丈夫西德尼入住酒店，戴安娜獲得了奧斯卡金像獎的提名，信心滿滿的她相信自己一定能夠獲獎，哪知道事與愿違，憤怒的戴安娜只想著趕緊離開這個讓她感到傷心的地方。漢娜（簡·方達(dá) Jane Fonda 飾）帶著女兒也住在酒店之中，她此行的目的是和同自己離婚已久的前夫比爾（阿倫·阿爾達(dá) Alan Alda 飾）見面。女兒煩透了母親的獨斷專決，希望能夠留在這里和父親生活一段時間。馬文（沃爾特·馬修 Walter Matthau 飾）比妻子早一天入住了酒店，哪知道自己的好哥們居然送了自己以為金發(fā)美人作為大禮。

黑暗心靈

　　艾丁一直相信，過去的一切已經(jīng)過去，他由一位善良的養(yǎng)父撫養(yǎng)長大，最終找到了家的感覺。然而，當(dāng)他的親生父母被神秘謀殺后，一切都改變了。悲痛和對正義的渴望驅(qū)使著他。