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克拉斯·邦,西瑟·巴比特·科努德森,澤維爾·多蘭,斯萬(wàn)·阿勞德,米歇爾·富,米沙·萊斯科特,讓·迪·弗埃,伊拉莉亞·卡布拉斯,亞歷山德羅·布雷薩內(nèi)羅,塞德里克·阿皮耶托,維比約克·莫林·阿格爾,弗朗索瓦·雷森,奧利弗·馬奎特,帕特里克·索貝爾曼,阿克爾·博薩,Jiang Hong Chen,紀(jì)堯姆·福雷斯蒂,塞西爾·杜克羅克,奧利維爾·加利安諾,本雅明·克萊里科學(xué)怪人的怪獸 山達(dá)對(duì)蓋拉
ラス?タンブリン,睦五郎,佐原健二,水野久美卡拉馬利聯(lián)盟
蒂莫·埃倫克,卡里·海斯卡寧,Asmo Hurula大明嬪妃之爭(zhēng)寵
宋洋,何杜娟,關(guān)慧卿,陳一諾,王藝曈,王春妹,思漩,朱一龍宇宙怪獸加美拉
マッハ文朱,小島八重子聯(lián)合艦隊(duì)司令長(zhǎng)官:山本五十六
三船敏郎,加山雄三,司葉子,稻葉義男,土屋嘉男,平田昭彥荒漠惡種
凱特·林恩·希爾,斯科特·黑茲,Alex Montaldo同系列推薦
昭和殘俠傳:唐獅子仁義
高倉(cāng)健,藤純子,池部良,待田京介,小林千枝,志村喬天山玉女劍
黃秋燕,溫兆倫,楊麗菁,關(guān)秀媚,湯鎮(zhèn)業(yè),惠英紅,關(guān)海山男孩2026
趙炳奎,柳仁秀,崔允珍,徐仁國(guó)一個(gè)叫小小船的男孩
J·K·西蒙斯,杰克·布塞,諾爾·古格雷米,盧·坦普爾,麗莎·德·拉佐,伯納德·庫(kù)里,Patricia Kalis,Jamille James,尼克·法內(nèi)爾,Julian Atocani Sanchez,Addam Bramich,Miranda Skerman,Keanu Wilson,Zeyah Pearson,杰西卡佩斯甜蜜與卑微
西恩·潘,薩曼莎·莫頓,Dan Moran,烏瑪·瑟曼,Brian Markinson河童之湄瀾怪談
龐玉龍,黃柏鈞,張沙沙,鄭曉民,何涌生幕后花絮
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
咸魚翻生
俠盜“一枝花”專劫富濟(jì)貧故為人欽佩,卻因正義感得罪了一名蛇蝎美人,該女子名叫“仇女”雖嫁與一土豪“孤寒財(cái)主”為妾但始終不忘被“一枝花”所辱,誓必要將“一枝花”置于死地。“一枝花”浪跡江湖,但“仇女”并未因而放過(guò)他,反而更誣造許多盜竊案令官方大舉追緝之。其時(shí)江湖上出現(xiàn)兩個(gè)小人物,一肥一瘦,肥名“脹爆”為人憨直,因仰慕“一枝花”而喜扮大俠,瘦名“扭紋柴”常自作聰明經(jīng)常撞板,喜占小便宜,為了官方之花紅到處找尋“一枝花”,而偶遇上“脹爆”后來(lái)反成莫逆之交,兩人更結(jié)伴一同尋找“一枝花”……