預科學校巴頓學院的老師保羅（保羅·吉亞瑪提 飾）不太受歡迎，不管是學生、老師還是校長，都不太喜歡他，他們覺得他浮夸又僵化。在1970年的圣誕假期，保羅留在了學校監(jiān)督無法回家的學生。幾天后，只有一個學生留了下來——一個名叫安格斯的15歲搗蛋鬼，他是一個被不良行為破壞的好學生，總是在被開除的邊緣試探。與保羅和安格斯一起留下的還有學校廚師長瑪麗，一個為特權階層的兒子們提供服務的非裔美國婦女，她自己的兒子最近在越南失蹤了。這三個截然不同的失意者組成了一個奇怪的圣誕家庭，在新英格蘭大雪紛飛的兩個星期里，分享著不幸經歷，并意識到他們中沒有人感謝自己的過去。

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　阿燦（廖偉雄飾）與肥則(鄭則士飾)一對活貝警界立下不豐功偉績。但每次都是烏龍百出，錯有錯著之下破案的，一次因涉嫌收藏大陸的非法人蛇，倆人同被革除職務。二人于無意中得悉一名叫契爺?shù)暮谏鐣^子，擄去一富翁的小孫，但倆人是被革退的警員，又怎樣去處理或能否撲滅契的犯罪集團呢！　　肥則為了娶阿芳（鄭麗芳飾）為妻，收留了從大陸偷渡過來的大姨媽及其女阿珍（阮佩玲飾）。阿燦愛上了賢淑可愛的阿珍，兩人很快墮入愛河。另一方面，犯罪集團主腦契爺（羅烈飾）及得力女助手阿JOE策劃一樁勒索案，但取贖金時險比警方捉拿。無計可施時，契爺捉走阿珍及阿芳來威脅阿燦及肥則替他們取贖金，并在他們身上裝了一遙控計時炸彈…

　　As bacteriologist Lena (38) drives past a burning car, she hears a scream of a dying woman. Lena does not tell her boyfriend how much the incident distresses her, just as she does not talk about the stillbirth she recently had. Instead, she throws herself into her work, intrudes into the life of the deceased, begins an affair with the widower and gradually takes on the role of mother to their son. Her persistent insomnia causes her to lose control between dreams and reality. Finally she accepts the help of a whisperer and then finds her own way to cope with her loss