那年陽光燦爛

評分：9.9 播放：24萬 更新：2026-04-24

別名：Machuca 評點：小童星與大姐姐的故事.... 1973年，智利陸軍司令奧古斯托皮諾切特在美國政府的暗中扶持下，帶領海陸空三軍及警察部隊發動政變，合力推翻了阿連德總統領導下的社會主義政府。3000名左翼人士在政變中被殺，上百萬阿連德支持者淪為政治犯或被迫流亡。阿連德總統也在戰斗中犧牲，他的死標志著共產主義政權在智利的滅亡，并隨后拉開了長達17年的軍人獨裁統治的黑暗序幕。 ;草莓臉兒岡薩羅（Mat iacute;as Quer 飾）生在一個中產階級家庭，他就讀于一所昂貴的私人學校，那里的孩子充滿驕橫之氣，這讓沉默羞澀的岡薩羅在里面顯得格格不入。思想開放的神父兼校長大膽招收了幾名來自貧窮棚戶區的免費學生，在智利這個92%屬于西班牙和印第安土著混血的國家，那些2%純種的歐洲血統便形同貴族，所以這幫自覺高貴優渥的孩子自然看不起這幾個外來戶。平靜的學校不再平靜，有錢階級與無錢階級的矛盾逐漸升級。在不斷的沖突中，窮人孩子馬丘卡（Ariel Mateluna 飾）卻與身處對立面的岡薩羅建立起了純潔的友誼。 1973年9月11號政變爆發，共產主義在智利遭受極大挫敗。貧困階層首當其沖遭受沖擊，平等人權和共產主義在這里成為一紙空文，獨裁體制瘋狂碾壓每一個人的生活。岡薩羅與馬丘卡脆弱的友情終于走到終點 

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姐妹董事會

蕾切爾·蕾·庫克,丹妮拉·莫奈,列奧尼達斯·古拉普蒂斯

　　公司高管梅根成立了一個董事會，以改善她妹妹混亂的生活，并與一位心理學教授墜入愛河，后者發現了她強硬的舉止。

聯合艦隊司令長官：山本五十六

三船敏郎,加山雄三,司葉子,稻葉義男,土屋嘉男,平田昭彥

　　1940年9月，德、意、日三國成立同盟。山本五十六被任命為日本聯合艦隊總司令，并不得不“違背自己的意愿”，接受命令對美、英、荷等國開戰。1941后12月8日零時，山本五十六親自下達了“1280”密碼命令，并親自率領部隊偷襲美國珍珠港，從而對美軍太平洋艦隊造成重創，大勝而歸。隨后山本五十六建議與美國講和，但意見未被采納。在指揮中途島戰役時，由于戰略上的重大失誤，日本海軍遭受慘重損失。形勢陡然逆轉，美軍攻勢如虹，日軍兵敗如山倒。瓜達康納島上有三萬多名日本陸軍，他們遭到了美軍飛機的晝夜轟炸，陷于絕境。山本五十六派出艦隊炮擊美軍基地，協助尚存的陸軍安全撤退。1943年4月18日，山本五十六為了鼓動前線部隊的士氣，乘坐一架轟炸機到前線視察。沒想到日軍的密碼被美軍竊取，美軍派出空軍機隊將山本五十六的座機擊落，一代軍人山本五十六就此碎尸于太平洋上空。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

異次元駭客

克雷格·比爾克,阿明·繆勒-斯塔爾,格瑞辰·摩爾,文森特·多諾費奧,丹尼斯·海斯伯特,斯蒂文·沙博,Jeremy Roberts,里夫·霍頓,萊昂·里皮,珍妮特·麥克拉克倫,布拉德·威廉姆·亨克,伯特·布洛斯,Venessia Valentino,霍華德·S·米勒,蒂婭·德克薩達,施瑞·阿普萊碧,鮑勃·克萊德寧,艾莉森·洛曼,Hadda Brooks,厄尼·里夫利,托妮·索耶,Brooks Almy,李韋弗,杰弗里·里瓦斯,Travis Tedford,杰夫·布魯門克蘭茨,約翰尼·克勞福德,Tracy P

　　十三，一個聽起來就有些陰冷的數字。在一座大廈的第十三層，科學家道格拉斯?霍爾（克雷戈?比克飾）和漢農?富勒（阿明?繆勒－斯塔爾飾）用電腦模擬出一個逼真的1937年的洛杉磯，他們可以通過電腦進入這個虛擬世界，真實地體驗1937年的生活與自己。然而一個夜里，富勒被人殺死，種種線索都表明似乎是霍爾所為。可霍爾卻對當天夜里的事情全無記憶。這時一個自稱是富勒女兒的女人又神秘出現，可霍爾從未聽富勒說過自己有女兒……為了找到兇手明曉真相，霍爾循著富勒留下的線索來到虛擬世界中，他離真相越來越近了……近到窒息……