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河鰻
潘綱大,柯泯薰,潘親御,鄭如吟,陳季霞,吳美和父親一去不返，原本在城市上班的阿亮，回到被遺忘的沙洲，寄居河邊破房子，在垃圾場打工。島民為土地公抬轎，被丟棄的神明都擠在寺廟中。阿亮發現神秘紅裙女子漂浮于河上，她似乎有著不堪回首的過去，或許她根本就是河鰻化身？視覺藝術家朱駿騰首部長片，取景于臺北市內遭限制開發逾半世紀的社子島，建構如夢似幻的幽靈地帶，以濃烈的符號和隱喻，展現實驗風格，透過一段萍水相逢的奇遇，映照生命的困頓與無常，探索欲望與歸屬。柏林影展視角單元。
黑暗之下
丹尼斯·奎德,托尼·奧勒,艾米·緹加登,斯蒂芬·朗斯福德After watching their best friend get murdered, a group of teens struggle to expose a local hero as the vicious killer and keep from becoming his next victims.
正人君子2024
崔貞允,許伊在,安喜延,安世珉達到合格率99%，顧客滿意度100%的自薦書代筆人寶允，聲名大噪的她本人卻在為公務員考試而煩惱，在超市打工的她每天都過得非常不如意。為了就業被意想不到的事件所糾纏。寶允的人生漸漸陷入無法控制的困境
草莓月亮
當真亞美,齋藤潤,杉野遙亮,中條彩未,中山裕介,田中麗奈,池端杏慈,黑崎煌代,吉澤要人,伊藤健太郎,泉澤祐希,池津祥子,橋本潤,黑島結菜本片改編自同名小說。櫻井萌（當真亞美 飾）從小體弱多病，無法上學，也沒有朋友，每天獨自度過時光。她一直有一個小小的夢想——在自己生日那天，與喜歡的人一起觀賞據說能讓戀人永遠相守的六月滿月“草莓月亮”。然而，15歲那年冬天，她被告知生命所剩無幾。 從醫院回家的路上，萌邂逅了命中注定的人，并下定決心進入高中就讀。入學典禮當天，她在初次見面的情況下，向同班同學佐藤日向（齋藤潤 飾）突然告白，人生第一次戀愛就此開始。終于到了共賞草莓月亮的那一天，但從那天起，萌突然從學校消失，日向再也無法聯系上她。而萌離開的真相，以及13年后傳來的秘密究竟是什么…
無歸客
宋洋,陳立農,姜珮瑤宋隱（宋洋 飾）奉命調查“極樂膏”制販案件。辦案期間，他獲得了游俠夜剎、大夫燕云升（陳立農 飾）、藥師素娥（姜佩瑤 飾）等人的幫助。他們通過頑強戰斗與勇敢犧牲，撕碎了犯罪頭目白啟年的保護傘，還一方安定。宋隱繼續踏上鏟奸除惡的漫漫長路。
公寓2024
斯文·索奇塔,細田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.