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咒·絲
戴立忍,梁靜,翟子陌,孔宋今,安琥,張瑤秩序的守護(hù)者
Cécile De France,Julien Boisselier小林家的龍丫頭:怕寂寞的龍
長繩麻理亞,田村睦心,桑原由氣,高田憂希,高橋未奈美,杉浦栞 ,小野大輔,中村悠一,加藤英美里,石原夏織黑羊
克里斯·法利,David Spade,Tim Matheson幸存者1999
格雷格·艾維甘,瑞秋·克勞福德,克勞迪亞·米歇爾森,大衛(wèi)·休萊特,Diego Matamoros,克雷·班奈特,Gene Mack,勞倫斯·貝恩蛇
尤·伯連納,亨利·方達(dá),德克·博加德,菲利普·努瓦雷,米歇爾·布凱,維爾娜·麗絲,蓋·崔揚,埃爾加·安德森,瑪麗·杜布瓦,娜塔麗·內(nèi)瓦爾,安德烈·福爾肯,羅伯特·帕蒂,威廉·薩巴達(dá),羅伯特·阿爾達(dá),寶拉·皮塔格拉,路易吉·迪貝爾蒂,弗朗索瓦·麥斯特,赫伯特·福克斯,伊娃·瑪麗亞·梅內(nèi)克,法利·格蘭杰同類推薦
列寧格勒牛仔征美記
馬蒂·佩龍帕,吉姆·賈木許,卡里·瓦納寧,Sakke J?rvenp??,薩卡里·庫斯曼嫩,西盧·塞佩萊,馬托·瓦爾托寧,奧利·圖奧米寧,理查德·伯斯列寧格勒牛仔搖滾樂隊的幾個成員裝扮怪異,戴大墨鏡,燙飛機頭,夸張的火箭鞋就是他們的標(biāo)志。可在他們的家鄉(xiāng)看不見事業(yè)成功的希望,于是他們決定轉(zhuǎn)戰(zhàn)美國尋求機會,在即將出發(fā)的前夜,貝斯手卻被凍死,盡管如此,隊員們還是將他裝入了放滿冰塊的木箱中帶上了旅途。此時同村的一個怪異的啞巴 偷偷跟隨樂隊來到了紐約。紐約的機會并不如他們想象的豐富,困窘的生活仍在繼續(xù),在他們走投無路之時,得到了一個來自墨西哥的婚宴演出機會。于是他們用僅剩的錢從一個美國售貨員(吉姆?賈木許 Jim Jarmusch 飾)手中買了一輛舊車后繼續(xù)向墨西哥進(jìn)發(fā),那里有他們最后的夢想……
花月佳期電影版
吳奇隆,楊采妮,葛民輝,張庭,何家駒,劉洵,黎彼得,黃一飛江繼威(吳奇隆飾)和洪欣欣(楊采妮飾)同在七夕節(jié)去月老廟求姻緣,江繼威對外表清純的張小盈(張庭飾)一見鐘情,卻因失神撞了想要偷拿紅繩的欣欣,惱火的欣欣旋即對其展開“報復(fù)”行為,兩人變成見面就吵的冤家。 兩星期后,欣欣在戲臺上吊嗓時,卻看見了江繼威的鬼魂,原來江繼威上了張小盈的當(dāng),被卷入搶劫案中繼而被滅口。不甘心的江繼威借助電線回到陽間,且歪打正著跑到欣欣所在的劇院。他希望欣欣可以幫他回到過去,挽回自己被殺的命運。欣欣最終經(jīng)不住江繼威的懇求,和他一起回到了兩星期前。
勤雜工
大衛(wèi)·斯佩德A couple of border town friends think waiting tables will fix everything, but they're mistaken.
密林深處
伊希爾·勒·貝斯柯,納威爾·佩雷茲·畢斯卡亞特,馬修·西莫內(nèi),Jér?me Kircher,Bernard Rouquette,Jean-Pierre Gos,Luc Palun,讓-克勞德·古盧姆伯格,Jean-Marc Stehlé,Yvette Peyremorte故事發(fā)生在1865年的法國南部,流浪漢狄默提(納威爾·佩雷茲·畢斯卡亞特 Nahuel Pérez Biscayart 飾)來到了這里,為了避人耳目,他假裝自己是聾啞人,在這里的一座小村莊中住了下來。在村子里,狄默提邂逅了名為約瑟芬(伊希爾·勒·貝斯柯 Isild Le Besco 飾)的女子,美麗善良的約瑟芬一下子就吸引了狄默提的注意。 約瑟芬的父親休斯(讓-克勞德·古盧姆伯格 Jean-Claude Bolle-Reddat 飾)是一個熱情好客的男人,他慷慨的邀請狄默提來家里做客,可休斯的善意卻并沒有得到狄默提的回報。狄默提用一種古老而又邪惡的方法催眠的約瑟芬,將她帶進(jìn)深山老林之中肆意凌辱。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster