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川流不“熄”
楊新鳴,胡昌霖,涂松巖,代樂樂,楊童舒,鞏崢,何賽飛,林永健,畢克辰靈幻夾克
艾德里安·布洛迪,凱拉·奈特莉,克里斯·克里斯托佛森,詹妮弗·杰森·李,丹尼爾·克雷格,凱莉·林奇,布拉德·蘭弗洛,斯蒂文·麥金托什,布蘭登·柯伊爾,麥肯茲·菲利浦斯,勞拉·馬蘭洛,詹森·劉易斯,喬哈·羅坦,安琪兒·庫碧驚天魔盜團3
杰西·艾森伯格,伍迪·哈里森,戴夫·弗蘭科,艾拉·菲舍爾,賈斯蒂斯·史密斯,多米尼克·塞薩,阿麗亞娜·格林布拉特,裴淳華,摩根·弗里曼,馬克·魯法洛,丹尼爾·雷德克里夫,尼克·威特曼阿里
安德拉尼克·馬奈,帕斯卡爾·雷內里克,Théo Delezenne,Ryad Ferrad,伊娃·拉利耶,Lomane de Dietrich,Mikael Don Giancarli,克萊芒絲·庫隆,Fabio Caron,Audrey Bonnet,克萊爾·博德森,蘇菲?卡達尼,Alphonso Scavo,Immanuelle Shékina,Isaure Bony Agoua,Melvil de Waegenaire,Tom Menanteau,Alexandre Auvergne,Serena迪瓦塔·繆斯
銀河護衛隊:圣誕特別篇
克里斯·帕拉特,龐·克萊門捷夫,戴夫·巴蒂斯塔,凱文·貝肯,邁克爾·魯克,布萊德利·庫珀,范·迪塞爾,凱倫·吉蘭,肖恩·古恩,瑪麗亞·巴卡洛娃,Old 97's,盧克·克萊因,凱拉·塞吉維克,大衛·莫斯科維茨,史蒂芬·布萊克哈特同類推薦
恐怖猴玩偶
多米尼克·基汀,Jane Hajduk,Courtney FulkUpon their mother’s death, siblings Jenny and Marshall return to renovate her crumbling motel, The Jolly Monkey. But as they work, a deadly force tied to their family’s dark past emerges, forcing them to face terrifying truths if they want to survive.
蒼雪麒麟
黃日瑩,銘亮,琪格,郭宏慶百年前萬靈古城遭黑水軍團操控的麒麟居戮,女王妙清封印麒麟后難產離世。百年后,其遺孤蒼雪貌丑家貧,在忠義堂備受排擠,暗戀陌千禾,機緣下救了龍族皇子諾,獲三個愿望。隨著假公主陰謀、麒麟解封,古城再起危機,蒼雪在蛻變中揭開身世,攜手伙伴對抗幕后黑手,拯救古城。
夢鄉2019
芬恩·科爾,瑪格特·羅比,崔維斯·費米爾,凱瑞·康頓,達比·坎普,羅拉·科克,Stephen Dinh,Tim D. Janis,Pab Schwendimann,格雷森·貝里,加內特·赫德蘭,Hans Christopher,安迪·卡斯特利奇,Joe Berryman,保羅·布特,埃布·羅提么,雅各布·布朗,弗蘭西斯·李·麥克凱恩,布魯斯·麥金托什這部新片名為《夢鄉》(Dreamland),由曾在圣丹斯電影節摘得評審團特別獎的導演Miles Joris-Peyrafitte執導。故事背景設定在20世紀30年代的美國,經濟蕭條和沙塵暴肆虐著美國的普通百姓,一個15歲的男孩為了高額的賞金開始漫漫追捕路,他的目標正是瑪歌特·羅比飾演的女劫匪。
大話修仙
孫槐志一天欣欣來到一家古董店,連呼數聲有人么,不見有人回應,偌大的古董店空無一人。由于好奇心的驅使欣欣不管三七二十一自娛欣賞起來,不斷的被眼前的物品所震懾所陶醉,就在此時突然有一人出現,嚇了欣欣一跳。此人行徑古里古怪,不過欣欣也沒有放在心上,欣欣與其交談數據之后又繼續欣賞起古董來,然而奇怪的事情就在此時悄然發生了……
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster