在線播放
劇情簡介
日文名:赤い密室,;赤色密室2 是延續了相同的主題,從;紅房間,雖然與新players.Again有一些真正扭曲的虐待狂,血腥暴力和性暴力的場面,例如一個人得到他的鼻腔分鐘牙刷擦洗到處都是血爆發或在一個真正令人厭惡的場景就結束,直到一個家伙是誰拳打在籠子里的女性之一,感覺里面的東西her.He抓斗保持和拉他所有的力量,痛苦的三英寸長的胎兒臍和弦碼所以,如果你喜歡;紅廳,你會不會失望這塊仍然認為坂大輔的;穆贊E是一個更好的film.Give以及看看。
同類好片
遲來的憤怒
安東尼奧·德·拉·托雷,路易斯·卡葉赫,露絲·迪亞斯,勞爾·希門尼斯,曼諾羅·索洛,馮特·加西亞,皮拉爾·戈麥斯,艾麗西婭·魯維奧,蓋茲卡·阿達納斯,馬丁·盧納,查尼·馬丁,恩里克·德拉托雷,茵瑪·桑喬,帕科·本杰梅亞,貝爾塔·埃爾南德斯勝利之歌
詹姆斯·卡格尼,瓊·萊斯利,沃爾特·休斯頓,理查德·沃爾夫猩球崛起
安迪·瑟金斯,詹姆斯·弗蘭科,芙蕾達·平托,約翰·利思戈,布萊恩·考克斯,湯姆·費爾頓,泰勒·萊伯恩,卡琳·考諾娃,泰瑞·諾塔里,理查德·賴丁斯,克里斯托弗·戈登,德文·達爾頓,杰·卡普托,大衛·奧伊羅,杰米·哈里斯九龍挎刀去白馬
羅立群,黃濤陰山禁地
戴向宇,杜奕衡,朱凌霧,張舜迦,李偉龍,于寶坤,安巴,李易衡77號頂層公寓
芭比·福特薩,Euwenn Mikaell,JC·阿爾坎塔拉,羅桑娜·羅瑟斯,Jackie Lou Blanco,卡洛斯·西古伊納-瑞納,吉娜·帕雷諾,Chrome Cosio人氣佳作
警察游戲
杰克·約翰遜,小達蒙·韋恩斯,羅伯·里格爾,妮娜·杜波夫,安迪·加西亞,詹姆斯·達西,科甘-邁克爾·凱,喬納森·拉舒沃,湯姆·馬迪羅沙,娜塔莎·賴格羅,麗貝卡·庫恩,約書亞·奧蒙德,布萊恩·歐爾利,杰夫·蔡斯時裝
安吉麗娜·朱莉,阿尼爾·阿內伊,艾拉·朗夫,路易·加瑞爾,加朗斯·馬里利埃,紀堯姆·馬貝克,文森特·林頓,肖恩·格萊特,費尼肯·歐菲爾德,米格倫·米切夫,克斯蒂·伊爾維斯·薩維納,阿黛爾·蒙特布爾,卡蒂亞·克里韋拉里,弗朗索瓦·菲利皮哈文赫特死亡公寓
Julie Benz,Fionnula Flanagan,Belle Shouse星河戰隊
卡斯帕·范·迪恩,迪娜·邁耶,丹妮絲·理查茲,杰克·布塞,尼爾·帕特里克·哈里斯,克蘭西·布朗,塞斯·吉列姆,帕特里克·茂頓,邁克爾·艾恩塞德,露·麥克拉納罕,馬紹爾·貝爾,埃里克·布魯斯科特爾,馬特·萊文,布蕾克·林斯利,安東尼·瑞維瓦,布蘭達·斯特朗,迪恩·諾里斯,克里斯托弗·柯里,萊諾爾·卡斯多夫,羅伯特·斯莫特,斯蒂芬·福特,羅伯特·大衛·豪爾,艾米·斯馬特,蒂莫西·奧門德森,代爾·戴導演精選
穿越愛情線
寵愛女友的男主角,在好友幫忙下成功求婚。男主角當晚高興入眠。至第二天醒來,發現自己在一個陌生房間,身邊多了一個陌生女子,她告知是自己的老婆,驚訝之時才發現自己來到三年之后,離奇荒誕的事接踵而來,究竟為何會這樣?這三年又發生了什么事?本身的女友又去了哪里呢?
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
樓上的人們
講述因為樓層噪音相遇的兩對夫妻一起吃晚飯發生的故事。