劇情簡介
杰克是一個真正的敗類袋誰要娶克里斯蒂。他睡覺與其他婦女和所有偷她的錢的一個壞習慣。他們結婚前兩個星期，克里斯蒂認為性行為與他們的女仆，羅莎杰克。原來，他被威脅羅莎到ML，以及他的秘書黛安。當他去外地出差，楊恭如，羅莎，和Diane設計出一個辦法讓他回來對所有的事情，他已經把他們通過。他們還決定把他的房子變成一個特殊的按摩院了幾晚所以楊恭如可以嘗試做一些的錢還給了杰克從她偷走了。
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母親的皮下
安吉莉·芭雅妮,Beauty Gonzalez,賈絲敏·柯提斯-史密斯第二次世界大戰期間，一個被困在菲律賓的年輕女孩發現，她保護她垂死的母親的責任，因為她錯誤地信任一個迷人的食肉仙女而變得復雜。
活著
葛優,鞏俐,姜武,牛犇,郭濤,張璐,倪大紅,肖聰,董飛,劉天池,董立范,黃宗洛,劉燕瑾,李連義,楊同順根據余華同名小說改編。富少福貴（葛優）嗜賭成性，妻子家珍（鞏俐）屢勸無果后帶著女兒鳳霞離開了他，當夜，福貴輸光所有家產氣死父親，被迫靠變賣母親首飾租間破屋過活。一年后，家珍手拉鳳霞懷抱剛出世的兒子有慶回到家中，福貴痛改前非，開始靠演皮影戲過起安份守己的日子。但好景不常，內戰時期，福貴被國民黨抓去當勞工，一番輾轉終回到家鄉與一家人團圓后，鳳霞因病變成啞巴，而在后來的大躍進運動和文化大革命中，他雖獲某些小福，逆境卻也一直與他如影相隨。
怒襲
安志杰,伍允龍,洪浚嘉,克拉雅,張建聲,何慈茵,王東,朱云兒,易宇航前“兵王”阿龍為尋找失蹤女兒，孤身潛入血腥犯罪園區。從詐騙園區到器官黑市，他孤身對抗整個血腥系統，直到與幕后Boss昆麥展開最終決戰……
正義的子彈
丹尼·特雷霍,Timur Turisbekov,Doroteya Toleva,雅娜·梅里諾娃,Semir Alkadi,Neli Andonova,Dinko Angelov,Gergana Arolska,Ester Chardaklieva,Svetlio Chernev,Dara Kandi,Dumisani Karamanski,Vei Fan Li,Alexander Ralfietta,Dessy Slavova在第三次世界大戰期間，美國政府發起了一個秘密的項目代號為“陸軍培根”，以創造超級士兵近交人與豬。25年后，一種叫做“槍口”已經占據食物鏈的頂端，吃和人類飼養動物一樣。羅布正義是一個前賞金獵人工作的最后一行人類抵抗-一組幸存者躲藏在核掩體深處地下。他的任務是找出槍口上臺并消滅他們。
西謊極落之太爆太子太空艙
周柏豪 ,張繼聰,蔡瀚億,林敏驄,林盛斌,雨僑,連詩雅,陳詩慧,莊鍶敏,周祉君,杜小喬,宋本中,徐浩昌,吳志雄,盧宛茵,鄭丹瑞,盧覓雪,趙善恒,張學潤獅子山下的香港，是一個謊言也被美化成「語言藝術」的荒謬都市，要騙得到別人，先要騙到自己，在這繁華都市的一個貧困角落，是一個個比劏房更非人道的「太空艙」，在這些六遲x四遲的棺材式住宅中，住一班快要連自己也騙不下去的人。 網客子軒，網上是人氣爆燈的樓市評論家，現實中卻是欠負 累累，屋租也交不起的網路打手，為了省錢還債，騙女友到紐約實習，實情是搬到「太空艙」，在網上裝著「紐約客」的生活，子軒卻在這個環境惡劣的「太空艙」中認識更多「太空人」… 年少時抱著熱血江湖夢的古惑仔阿鋒，卻遇上回歸后社團事業轉形型，十多年來越混越差，竟淪為水貨客，江湖變作羅湖，鬱鬱不得志阿鋒等待機會多年，卻在一次為維穩活動中，錯手重創高官，成為人民英雄！ 釋囚瑞昌為糊口，重操故業持械行劫，一次犯案中無意中竟讓昔日獄友強姦犯阿全成為救得美人的英雄，突然正義的瑞昌決定為自己作孽贖罪！ 神神化化，常胡言亂語，在太空艙開設骨灰龕生意的阿成，有著一套異于常人的生活哲學，卻遇上一頭身價二百萬的失犬！ 疼愛女友的貨van司機阿明，為找一個可以和女友好好親熱的安樂蝸歷盡千辛萬苦，甚至將貨van改裝成「浪漫車床」旅居郊野公園，本意為萬事俱備溫馨之夜，卻變成一場槍戰飛車大逃亡！ 這群「來自太空艙的男人」為著心中的理想生活，在一個又一個謊話之中掙扎求存，體現真正的香港精神：自欺欺人！向著墮落的軌跡，跌進極度荒謬境地！
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
無懼神明
莉頓·梅斯特,托比·瓊斯,本·巴恩斯,哈威·凱特爾,肯尼·沃莫爾德 ,里特奇·科斯特,保羅·本-維克托,Slaine,William Xifaras,Jay Giannone,Julie Ann Dawson,Stacey Queripel,Billy 'V' Vigeant,Armen Garo,Michael Yebba影片的故事發生在波士頓，巴恩斯扮演的尼克是一位意大利裔的美國年輕人，躊躇滿志的他加入波士頓黑手黨，決心開創一番事業，卻發現這個犯罪組織早已不復昔日之勇。 于是尼克背著他的老板（《落水狗》、《壞中尉》男星哈威·凱特爾飾），自立門戶，擴張版圖，希望重塑往昔的輝煌。一手金錢，一手美人（莉頓·梅斯特飾），尼克完全不知道自己正走在危險的懸崖邊。