女機械人

? 7.9 播放：64萬 2026-04-22

女督察謝玲在查案時殉職，男友祖傷心欲絕。科學家沙拉認為行兇者山本擁有機械的軀殼，于是暗中把謝玲改造成機械人，又派機械助手安妮利用美色引誘山本。謝玲雖復活，但祖苦纏令她思想混亂，令機械軀殼的戰斗力大減……

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劇情提要

女督察謝玲在查案時殉職，男友祖傷心欲絕。科學家沙拉認為行兇者山本擁有機械的軀殼，于是暗中把謝玲改造成機械人，又派機械助手安妮利用美色引誘山本。謝玲雖復活，但祖苦纏令她思想混亂，令機械軀殼的戰斗力大減……

幕后花絮

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

趣塔德莊園

　　Fackham Hall 對傳統的時期劇如《唐頓莊園》和《高斯福德莊園》進行戲謔。這部作品被形容為“延續了《裸槍》系列和《空前絕后滿天飛》等經典笑料不斷的惡搞喜劇的傳統”。　　費恩斯·提芬將飾演一名新來的搬運工，他與英國一個顯赫家族的小女兒（麥肯齊）展開了一段出人意料的關系。同時，達文波特家族內部矛盾不斷爆發，由達文波特勛爵和勛爵夫人（沃特斯頓）領導的家族還要面對長女（萊爾德）和她不靠譜的堂弟婚禮慘敗的巨大尷尬。