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人證1977
岡田茉莉子,松田優(yōu)作,鼻肇,喬山中,巖城滉一,三船敏郎,鶴田浩二,竹下景子,伴淳三郎,高澤順子,范文雀,夏八木勛,長(zhǎng)門裕之,珍妮八田,坂口良子,大瀧秀治,佐藤蛾次郎,北林谷榮,西川峰子,鈴木瑞穗,峰岸徹,地井武男,和田浩治,深作欣二人偶之家
長(zhǎng)澤雅美,瀨戶康史,田中哲司,池村碧彩,本田都同花,今野浩喜,西田尚美,品川徹,安田顯,風(fēng)吹淳雜交種
Angela Durazo,Nathan Schellerup,Malinda Farrington,Danny Winn,Katy Bentz愛(ài)情坐標(biāo)
凱莉·羅蘭,馬索·曼恩,Chris Kapeleris,亞歷桑德拉·卡斯蒂略,梅蘭妮·利什曼,羅賓·席德,安妮·岡薩雷斯,大衛(wèi)·皮納德,Nck Name,丹尼爾·馬力克, 卡洛斯·岡薩雷斯-維奧,Elena Khan,Melissa Bray,Ava Blackwood,Connie Manfredi,Ronald P Boone Jr.,Cynthia Menard,Arabella Williams,安德·雷特爾,Hannah Yohannes遮天劇場(chǎng)版背棺戰(zhàn)王騰
走火交易
恩佐·科倫蒂,薩姆·賴?yán)?邁克爾·史麥利,布麗·拉爾森,基里安·墨菲,艾米·漢莫,沙爾托·科普雷,巴布·塞賽,諾亞·泰勒,杰克·萊諾,馬克·蒙迪歐,帕特里克·博金,薩拉·德,湯姆·戴維斯同類推薦
猩球崛起3:終極之戰(zhàn)
安迪·瑟金斯,伍迪·哈里森,斯蒂夫·扎恩,卡琳·考諾娃,阿米爾·米勒,泰瑞·諾塔里,泰·奧爾森,邁克爾·亞當(dāng)思韋特,托比·凱貝爾,加布里埃爾·查瓦里亞,朱迪·格雷爾,莎拉·坎寧,德文·達(dá)爾頓,阿萊克斯·潘諾維奇,亞歷桑德羅·朱利安尼,馬克斯·洛伊德-瓊斯,蒂莫西·韋伯凱撒(安迪·瑟金斯 飾)領(lǐng)導(dǎo)的猿族將被迫與殘暴的Colonel(伍迪·哈里森 飾)領(lǐng)導(dǎo)的人類軍隊(duì)上演一場(chǎng)生死大戰(zhàn)。猿族在戰(zhàn)斗中遭遇了前所未有的重創(chuàng),由此激發(fā)了凱撒內(nèi)心中黑暗的一面,心中燃起復(fù)仇的烈火。最終,凱撒與Colonel面對(duì)面進(jìn)行了一場(chǎng)關(guān)乎猿族和人類命運(yùn)的終極之戰(zhàn)。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
屠宰嘔吐娃娃
艾梅拉·勒維一個(gè)被自己的父母拋棄的女孩的故事,14歲就離家出走的她,被當(dāng)?shù)氐囊粋€(gè)牧師收養(yǎng)了。后來(lái)她所遇到的人,會(huì)給她本來(lái)就很悲慘的命運(yùn)帶來(lái)怎樣的影響呢?對(duì)于安吉拉·阿卜迪恩來(lái)講,為了她,他寧愿犧牲自己也要與撒旦達(dá)成死亡契約,這樣就可以讓她靈魂永生,為了報(bào)仇,她先去吧那牧師的教堂燒成了焦土,而牧師因?yàn)楹榷嗔硕涝诹私烫美???墒呛髞?lái),她卻在都市的燈紅酒綠中染上了毒癮和酒癮,殊不知,她的腳已經(jīng)邁入了地獄之門…從做了艷舞女郎到做妓女,發(fā)現(xiàn)毒癮已讓她無(wú)法自拔,甚至他覺(jué)得撒旦也拋棄了她。
杰索拉·加尼美·卡美巴 決戰(zhàn)!南海的大怪獸
久保明,小林夕岐子,高橋厚子攝影師工藤太郎在坐飛機(jī)的途中發(fā)現(xiàn)一架太空囊墜入大海,那正是4個(gè)月前離奇失蹤的無(wú)人木星探測(cè)器赫利俄斯7號(hào)。回國(guó)后的工藤接到陪同開(kāi)發(fā)公司調(diào)查隊(duì)前往塞吉?dú)W島的工作,而塞吉?dú)W島正位于赫利俄斯7號(hào)墜落地點(diǎn)的附近…… 另一方面,塞吉?dú)W島突然出現(xiàn)巨大的怪獸,這一切似乎和赫利俄斯7號(hào)有關(guān)……
總統(tǒng)拍檔
杰克·萊蒙,詹姆斯·加納,丹·艾克羅伊德他們——曾經(jīng)執(zhí)掌國(guó)家,如今卻為自已的生計(jì)而忙碌,他們——是不同政黨的對(duì)立方!他們——便是兩個(gè)美國(guó)前總統(tǒng)!由于現(xiàn)任總統(tǒng)把他倆卷入到了一樁丑聞之中,兩個(gè)曾爭(zhēng)吵不休的前任總統(tǒng)不得不走到了一起,走遍全國(guó)尋求證據(jù)以證明自己的清白。一路上趣事不斷,笑料百出,卻也讓他們了解到了真正的美國(guó),以及自己曾給普通百姓所帶來(lái)的影響。更意想不到的是正當(dāng)他們焦頭爛額、疲于奔命時(shí),又遭到了一伙武裝分子的連連追殺。。。。。。