大軍閥
日俄戰爭期間，土匪頭子龐大虎（許冠文 飾）假扮成俄國人燒殺搶掠，他打退了懦弱的清兵，也擊敗了日本人。龐因此受到俄國人的嘉獎，一躍成為統治北方的軍閥頭子。這個大字不識一個的老粗雖然身居高位，卻也鬧出不少笑話： 上任之初，一支求雨隊伍擋住龐大虎的去路，龐聞聽大怒，下車將龍王臭罵一通，并揚言炮轟龍王廟。無巧不成書，大雨隨即而至，龐因此被馬匹精和懵懂百姓捧上天；寡婦高白氏（胡錦 飾）勾搭家中長工紀伯常，偏巧為求學歸來的小叔子撞破，y-婦于是誣告小叔子意圖強迫。龐大虎奇人出奇招，巧斷這起強迫案；妻妾成群的龐貪婪無度，意欲強娶女伶蘭芳，蘭芳之父憤而阻攔，反遭其殺害。多行不義必自斃，作惡多端且顢頇的龐大虎終于迎來了自己的末日
即刻觀影
劇情賞析
編輯推薦
不良教育
妲露拉·萊莉,喬安娜·斯坎倫,克拉克·彼得斯,杰克·懷特霍爾,馬修·豪勒,史蒂夫·斯皮爾斯,莎拉·索蕾瑪尼,哈里·恩菲爾德,托尼·毛德斯雷,萊頓·威廉姆斯,史蒂夫·奧拉姆,馬克·伍頓,查理·沃納姆,妮琪·羅南克萊斯威克斯教員帶著他剛完成中學學業的學生們修學觀光。
精武陳真：租界風云
陳國坤,呂艷蓓,王宏哲,馬群雄,張姝陽,孫盈藝,張永華,阿諾1911年，陳真為師父霍元甲報仇后投身革命加入中國同盟會，受托調查軍閥與日本在天津租界的勾結。在執行任務遭伏擊、同伴中毒的險境中，陳真與一度為敵的武人鄭邵遠從對決到聯手，最終陳真在租界內與日諜頭目決一死戰，揭穿陰謀，公之于眾。
惡魔的耳語
盧卡·奧利爾15歲的艾利克斯來自一個天主教家庭，他希望自己將來能成為一個牧師。當他無意中發現并打開了一個神秘的盒子之后，放出了一個一心要占據他身體的惡魔。艾利克斯必須找到辦法打敗這個一直在折磨兒童的古老的惡魔，否則將會毀掉他和所有他愛的人。
完美伴侶2025
索菲·撒切爾,杰克·奎德,盧卡斯·蓋奇,梅根·蘇麗,哈維·吉蘭,魯伯特·弗蘭德,雅布其·楊-懷特,馬克·門查卡,伍迪·傅,Matt McCarthy,Ashley Lambert講述了一個迷人而又變態的人和一個被他玩弄于股掌之間的女人之間扣人心弦的故事。
把家虎
康琳浠,袁家駿,答有為,張原榮,王藝歡,趙鵬,王旭,梁棟,張婷,曹皓程,郭炫辰,杜俊峰,李凱武,蔣鎮澤,蔣鎮陽,岳建剛,楊恩全徐大燕，雖自幼生得標致，但卻因為性格強勢，持家精打細算，容不得他人占自己家半點便宜，聞名村里村外，導致已到婚嫁之齡未嫁在家。不平常女子人生也必然不平常，成家后的徐大燕，憑借精密與能干使得原本窮破的家，日漸變得富足與溫馨，更是在其短暫的一生留下諸多感人事跡。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.