劇情簡介
害怕孤獨一個人的少女有一天在她面前出現了一位像夢境一樣神秘的女人;簡 從那天以后，每天都期待與簡的簡單幸福。憑借該片男女主演具喬煥、李敏芝在去年第21屆釜山國際電影節獲得了年度男演員與年度女演員
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紐倫堡的審判
斯賓塞·屈塞,伯特·蘭卡斯特,理查德·威德馬克,瑪琳·黛德麗,馬克西米連·謝爾,朱迪·加蘭,蒙哥馬利·克利夫特,維爾納·克倫佩雷爾講述二戰后在紐倫堡提審德國納粹計劃的法律關系者，三個被告提審的原因是給猶太人施行斷種手術。擔任主審判長的是美國人赫魯特，他主張其中兩個被告無罪；而德國司法部長亞林克竟對此事保持沉默，但檢查官羅森上校卻激烈的指責被告，因此三個人展開激烈的辯論。審訊繼續進行下去。而美國的高級官員們希望能在審判中獲提德國所犯罪行的良好證明，因此對審判施以極大的壓力，但赫魯特堅守法律的正義立場，給予了最公正的判決。在宣布判決結果時，只有亞林對赫魯特審判長的態度表示贊賞。
上海快車
瑪琳·黛德麗,克里夫·布洛克,黃柳霜,華納·歐蘭德,尤金·佩里特,勞倫斯·格蘭特,Louise Closser Hale,古斯塔夫·馮·賽費蒂茨,埃米爾·肖塔爾,George Blagoi,李奧納多·凱瑞,George Chung,Wong Chung,Jack Deery,赫伯特·埃文斯,馮威利,福里斯特·哈維,Claude King,James B. Leong,Miki Morita,黃自強故事發生在一列行駛在中國大地的火車上，背景是中國內戰時期。黛德麗扮演“上海莉莉”，從事茶花女式的職業。她在列車上跟舊情人邂逅，由此引發出一些故事。對于這位她一直念念不忘的英國軍官，她百般示好挑逗，他卻妒恨交加，不肯重拾舊愛。在半途被軍閥攔檢時，他為了阻止軍閥對她動手動腳，出手打人；她則為了救他，同意委身軍閥。往上海的路上，對生命跟愛情，都是一場嚴酷的考驗。
柔情摯我
薇姬·克里普斯,莫妮亞·喬柯里,維果·費雷拉-雷迪爾,安托萬·賴納茨,費奧多爾·阿特金,樸智敏,Manuel Vallade,奧拉利亞·佩蒂特,薩利夫·西塞,朱利安·德·圣·讓,瑪洛·赫比齊,安娜·西加勒維奇,Tallulah Cassavetti,安東尼·米切爾,烏姆尼亞·哈納德她離開丈夫與兒子，也離開穩定的律師工作，在泳池、露天咖啡廳與私人公寓自在游走。以寫作寄托生活，對兒子的愛未減半分，與丈夫也親如摯友，直到那日，她向丈夫吐露與女性的親密關系，完美生活旋即化為一場幻夢。在失去監護權后，她不得不在機構間穿梭，為了見兒子一面奮力一搏，卻不知這樣的困境，何時能走到盡頭？
落難女子
羅伯特·帕丁森,米婭·華希科沃斯卡,大衛·澤爾納,內森·澤爾納,羅伯特·福斯特影片被描述為“對西部題材充滿愛意的重塑”。帕丁森飾演的Samuel是一位富有的拓荒者，他冒險穿越邊境，為了與一生摯愛Penelope（米婭·華希科沃斯卡飾）成親。Samuel與一個酒鬼和一匹叫作“奶油糖果”的小型馬同行，然而簡單的旅程卻變得危險重重。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
77號頂層公寓
芭比·福特薩,Euwenn Mikaell,JC·阿爾坎塔拉,羅桑娜·羅瑟斯,Jackie Lou Blanco,卡洛斯·西古伊納-瑞納,吉娜·帕雷諾,Chrome CosioLuna, a cruise ship chambermaid, has to quit her job to attend to her sick brother. While doing so, she discovers that her mother has gone missing and her brother's condition is getting progressively worse. The siblings desperately sneak into an empty condo unit but soon discover that Penthouse 77 is not what it seems.
藍宇
胡軍,劉燁,蘇瑾,李華彤,盧芳,張永寧,李爽,李濱,趙敏芬,張少華陳捍東（胡軍）和藍宇（劉燁）的愛情始于一場性交易，其時，藍宇是為生活所迫決定出賣自己肉體的清純大學生，陳捍東則是情場老手，慣做“花花公子”的他雖對特別的藍宇怦然心動，卻也認為藍宇不過是他眾多玩伴中的一個。慢慢地，隨著兩人交往的深入，陳捍東發現自己的心已在不知不覺間被藍宇充滿。可是他又不敢肯定，試圖通過與女人結婚證明自己的“正常”，當求證到那不過是錯覺一場時，藍宇早已消失在茫茫人海。真正的愛情故事總是令旁觀者唏噓感嘆，無論它是異性間還是同性間的。而令旁觀者感動的愛情，往往又是同勇敢、固執、單純等簡單卻難擁有的質量聯系在一起的，藍宇（和捍東）正屬稀少的那類人，所以他們的愛情才顯珍貴。