喬伊是學(xué)校里公認(rèn)的校花，她擁有著美麗的面孔和優(yōu)越的身世，毫無(wú)疑問(wèn)每日生活在幸福之中。然而某一日，這位集萬(wàn)千寵愛(ài)于一身的可愛(ài)姑娘卻在社交網(wǎng)絡(luò)上留下了“我想死”的絕望信息。阿信是喬伊的男友，兩人之間感情十分要好，看到女友悶悶不樂(lè)的樣子，阿信決定同好友阿敢一起，帶著喬伊和她的閨蜜小敏前往海邊度假。　　眾人本以為，這會(huì)是一場(chǎng)充滿了瘋狂和歡樂(lè)的旅程，然而，喬伊的慘死卻為這場(chǎng)派對(duì)蒙上了驚悚恐怖的陰影。余下的三人受到了不小的驚嚇，他們決定隱瞞整個(gè)死亡事件，希望生活能夠就此回歸平靜。不過(guò)顯現(xiàn)，喬伊的冤魂并不愿意放過(guò)他們。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　金領(lǐng)孟夏貌美強(qiáng)悍，精明神勇，卻因未婚夫出軌而崩潰；SPA技師湯玲柔弱呆萌，嬌甜黏人，一再對(duì)吃軟飯的男友無(wú)力自拔。一場(chǎng)葬禮讓兩個(gè)被同一個(gè)男人傷害的隱秘情敵變成了磕磕絆絆的塑料花，日常斗嘴吐槽，情誼卻不斷升級(jí)。年輕陽(yáng)光攝影師金哲的出現(xiàn)撩撥得二女春心萌動(dòng)，同時(shí)陷入瘋狂的境地。幾番爭(zhēng)斗下來(lái)，男神巋然無(wú)動(dòng)。兩女身心俱疲，感受到作為女人的無(wú)奈與悲涼，同時(shí)從這段荒唐的雌競(jìng)中幡然醒悟，對(duì)愛(ài)情和女性的尊嚴(yán)、價(jià)值生發(fā)出全新的體悟。金哲究竟情囑何方？?jī)蓚€(gè)大齡女最終愛(ài)歸何處？假閨蜜如何煉就真友誼？

父親一去不返，原本在城市上班的阿亮，回到被遺忘的沙洲，寄居河邊破房子，在垃圾場(chǎng)打工。島民為土地公抬轎，被丟棄的神明都擠在寺廟中。阿亮發(fā)現(xiàn)神秘紅裙女子漂浮于河上，她似乎有著不堪回首的過(guò)去，或許她根本就是河鰻化身？視覺(jué)藝術(shù)家朱駿騰首部長(zhǎng)片，取景于臺(tái)北市內(nèi)遭限制開(kāi)發(fā)逾半世紀(jì)的社子島，建構(gòu)如夢(mèng)似幻的幽靈地帶，以濃烈的符號(hào)和隱喻，展現(xiàn)實(shí)驗(yàn)風(fēng)格，透過(guò)一段萍水相逢的奇遇，映照生命的困頓與無(wú)常，探索欲望與歸屬。柏林影展視角單元。