殘酷女高生性私刑

★ 4.2 播放：79萬 更新：2026-04-28

由紀和家庭教師殉情未果，被送進了醫院。出院后在母親的妹妹熏的家里生活。事情的起因源于同繼母恭子之間的不和。某天和熏一起上街的由紀，遇上了樂隊的搭檔忍和潤子。沒有注意到由紀被盯上的熏邀請她們兩個一起去餐館吃飯，之后便去了迪廳。在那里熏因為酒力，淫欲聚起，途中與酒吧間招待發生了性愛。幾天后，忍和潤子把由紀帶到了河源。因為忍對熏的侮蔑，三人吵架吵的不可開交，路過的裝卸車上坐的兩個男子來勸說她們，并讓她們坐上車去了飯館。她們最后被帶進了擺滿奇怪器物的黑暗的房子里，讓人震驚的性虐開始了。。。

在線播放

劇情簡介

由紀和家庭教師殉情未果，被送進了醫院。出院后在母親的妹妹熏的家里生活。事情的起因源于同繼母恭子之間的不和。某天和熏一起上街的由紀，遇上了樂隊的搭檔忍和潤子。沒有注意到由紀被盯上的熏邀請她們兩個一起去餐館吃飯，之后便去了迪廳。在那里熏因為酒力，淫欲聚起，途中與酒吧間招待發生了性愛。幾天后，忍和潤子把由紀帶到了河源。因為忍對熏的侮蔑，三人吵架吵的不可開交，路過的裝卸車上坐的兩個男子來勸說她們，并讓她們坐上車去了飯館。她們最后被帶進了擺滿奇怪器物的黑暗的房子里，讓人震驚的性虐開始了。。。

導演精選

抵擋計劃

一名被困在公寓里的年輕人，門外有一群惡魔，他必須找到一種方法度過夜晚，逃離213號公寓。

心碎往事

　　父親的突然去世讓湯米（安東·尤金 Anton Yelchin 飾）一家人陷入了混亂，家庭無人照料一片狼藉，母親終日哭泣郁郁寡歡，就在這樣一種糟糕的情況下，湯米迎來了自己躁動又不安的青春，無處發泄的他只能通過調皮搗蛋來紓解心中的積怨。輟學后的湯米在一家熟食店打工，負責送貨?！　缀团笥雅留斉了梗_賓·威廉斯 Robin Williams 飾）成天廝混在一起，帕魯帕斯是一個外表成熟但心智幼稚的“大齡兒童”，兩人之間的感情真摯又深厚。一次意外中，湯米結識了妓女蕾蒂（Erykah Badu 飾），后者帶領他進入了成年人的世界，享受了愛情的甜蜜與苦澀。一場意外的發生摧毀了湯米自由的生活，它不僅終結了湯米的現在，也波及到了他的未來。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.