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幸存者1999
格雷格·艾維甘,瑞秋·克勞福德,克勞迪亞·米歇爾森,大衛·休萊特,Diego Matamoros,克雷·班奈特,Gene Mack,勞倫斯·貝恩箭下的約翰娜
伊達·梅金·赫林斯多蒂爾,Grímur Hlynsson,Torgils Hlynsson,Elín ósk óskarsdóttir,Hrafn Tráinsson任務迷走72小時
魯克·高斯,博基姆·伍德拜因,路易·曼迪勒,馬克·可汗,萊昂納德·凱利-揚,海瑟·洛普,布魯克·紐頓,羅伯特·菲茨杰拉德·迪格斯,雷弗·甘特沃特神探瓦雷斯:綁票追緝令
里歐·舍曼,加斯帕·帕科農,米·庫基小城犯罪
奧克塔維亞·斯賓瑟,約翰·浩克斯,凱蒂·洛茨,詹姆斯·拉夫爾提,小克利夫頓·克林斯,邁克爾·瓦爾坦,安東尼·安德森,丹尼爾·遜亞塔,戴爾·迪奇,羅伯特·福斯特,巴特·約翰遜,亞當·約翰遜,唐·哈維,肖恩·卡里甘戰栗驅魔
漢娜·邦·本茲,迪恩·基爾貝,Nicholas Anscombe同類推薦
孩子們安好
卡米爾·科坦,莫妮亞·喬柯里,朱麗葉·阿曼尼特,Mano? Varvat,Nina Birman,紀堯姆·谷伊,瑪麗亞姆·阿赫迪歐,弗蘭基·瓦拉赫,Tania Dessources,Camille Lethuillier,馬克西姆·施邦古,Zoé Briau,Jean-Fran?ois Hoche,Pauline Roux,阿麗亞娜·納齊里,Zakariya Gouram,Anna-Marie Filippi,Zbigniew Jankowski,William Louis,Jean-René Stani多年以后,蘇珊和她的兩個孩子意外地出現在她姐姐珍妮的家中。起初看起來像是蘇珊在試探性地試圖重新與姐姐建立關系。但隨著晨光的出現,這種幻覺破滅了:蘇珊消失了……內森·安布羅西奧尼的這部親密電影,描繪了一位被迫成為母親的女人,而她對自己的孩子幾乎一無所知。他那極簡主義的敘事方式,卻充滿了深刻的共情,讓觀眾得以觀察這個新生家庭逐漸凝聚的緩慢過程,以及他們內心的恐懼與猶豫,還有那毫無效率的國家機器的荒謬之處。這是一部法國電影,它反映了因必要性而產生的共同生活本質的脆弱性,以及當它源于愛時,它會變得多么強大。
噪聲
李先彬,金玟錫,全益玲,劉慶秀有聽力障礙的珠英(李先彬 飾),與妹妹珠憘(韓秀娥 飾)終于買下夢寐以求的新房,卻沒想到噩夢才正要開始。 某天起,珠憘開始被來自公寓某處的神秘噪音折磨得身心俱疲。那讓人不耐的樓層噪音,不僅讓她無法安睡,更像是潛藏某種黑暗秘密的警告。正當珠英離家工作時,珠憘突然失蹤,讓驚慌失措的珠英立刻趕回家,并與珠憘的男友基勛(金珉錫 飾)聯手追查真相。同時,住在樓下的神秘男子(柳炅秀 飾)也長期受噪音困擾,認定一切都源于樓上的這對姊妹,讓他情緒逐漸崩潰,揚言要對她們痛下殺手…… 真相究竟藏在誰的耳中?噪音背后,又是誰的瘋狂正在近逼?
小婦人2019
西爾莎·羅南,艾瑪·沃森,弗洛倫絲·皮尤,伊萊扎·斯坎倫,勞拉·鄧恩,提莫西·查拉梅,梅麗爾·斯特里普,鮑勃·奧登科克,詹姆斯·諾頓,路易·加瑞爾,克里斯·庫珀,崔西·萊茨,艾比·奎因,薩莎·弗羅洛娃,莉莉·恩格勒特,愛德華德·弗萊徹,杰妮·霍蒂謝爾,多梅尼克·阿爾迪諾,湯姆·斯特拉特福,托馬斯·馬里亞諾,哈德莉·羅賓遜,杰米·加扎里安馬奇夫人(勞拉·鄧恩 Laura Dern 飾)有著四個如花似玉的女兒,大女兒梅格(艾瑪·沃森 Emma Watson 飾)擁 有著美麗的外表,和對于愛情的天真憧憬。二女兒喬(西爾莎·羅南 Saoirse Ronan 飾)滿腦子塞著古靈精怪的念頭,整天拿著蘸水筆東寫西寫,她的故事在全家上下都受到了熱烈的歡迎。三女兒艾米(佛羅倫斯·珀 Florence Pugh 飾)渴望成為一名畫家。最小的女兒貝斯(伊萊扎·斯坎倫 Eliza Scanlen 飾)雖然個性比起三個姐姐要來的內向的多,卻擁有杰出的音樂天賦。在馬奇夫人的教導之下,四個姑娘漸漸成長為了擁有獨立人格的杰出女性,她們熱情、樂觀、善良,每個人都在各自的道路上堅強而又堅定的前進著。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
鬼影實錄:東京之夜
中村蒼,青山倫子位于東京的某區,山野一家三口過著富庶自在的生活。2010年9月3日,姐姐春花(青山倫子 飾)從美國歸來,此前她在旅行中遭遇一場車禍,致令雙腿嚴重骨折。弟弟幸一(中村蒼 飾)是個開朗陽光的大男孩,他拿著新買的攝像機拍下了山野家生活的點點滴滴。由于父親公務繁忙,平時只有姐弟二人在家。平靜的日子并未持續太久,一絲不安便在屋子內肆意彌漫。春花發現,每當次日醒來床邊的輪椅便會發生移動。為了探明真相,幸一決定在姐姐的臥房內安置攝像機,監控夜晚的情況。在屏幕前,不可思議的景象接連發生,姐弟倆似乎也陷入惡魔的詛咒中,無法逃脫…… 本片為恐怖片《鬼影實錄》的日本版。