納粹女魔頭之后宮總管

★ 6.0 播放:58萬 更新:2026-04-24

二戰(zhàn)結(jié)束,時間流逝,伊莎找到了新雇主,受命于一個主人喜歡進(jìn)口少女當(dāng)作性奴的阿拉伯家族。一位美國百萬富翁的女兒,一位電影明星和一位嫵媚動人的馬術(shù)教練都是他的最新犧牲品。

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劇情簡介

二戰(zhàn)結(jié)束,時間流逝,伊莎找到了新雇主,受命于一個主人喜歡進(jìn)口少女當(dāng)作性奴的阿拉伯家族。一位美國百萬富翁的女兒,一位電影明星和一位嫵媚動人的馬術(shù)教練都是他的最新犧牲品。

導(dǎo)演精選

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

看不見的他們

  一場車禍后,林月家里怪事連連,全身冰冷的姐姐,鏡子里看不見家人的身影,黑夜里爸爸窺探的雙眼,每天凌晨閣樓傳來的彈珠聲,林月循聲而上,當(dāng)閣樓的門被打開,卻發(fā)現(xiàn)里面緊鎖的卻是自己的遺像……

魔法奇緣2:解除魔法

  吉賽爾公主和羅伯特、摩根搬到了郊區(qū)的一棟新房子,被反派瑪爾維娜·夢露監(jiān)視著。隨著問題的出現(xiàn),吉賽爾許愿把他們的生活變成完美的童話,然而咒語產(chǎn)生了戲劇性的反作用,使吉賽爾不得不在午夜來臨之前爭分奪秒,以拯救她的家人和安大拉西亞王國。