課中壞事

5.9 播放:18萬 更新:2026-04-26

智恩,有很多不好的回憶,她的父親,收到家教由母親的忠告。她愛上藝術(shù)學(xué)生教學(xué)她.........

即刻觀影

劇情賞析

智恩,有很多不好的回憶,她的父親,收到家教由母親的忠告。她愛上藝術(shù)學(xué)生教學(xué)她.........

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三天

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執(zhí)法記錄

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兩名警察在出警處理一樁家庭糾紛時,不慎釀成了一起槍擊意外。為了避免成為輿論的眾矢之的,他們選擇聯(lián)手掩蓋真相。隨著事態(tài)逐漸失控,他們才驚覺——監(jiān)視他們的,遠不止現(xiàn)場的攝像頭…

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

被破壞的男人

金明民,嚴(yán)基俊

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胡加爾的一天

本·衛(wèi)肖,麗貝卡·豪爾

  說來平平無奇,奇在竟煞是好看。娓娓道來自己過去一天的是新銳攝影師彼得胡渣,請他到香閨暢談的是知名作家蓮達羅森克蘭茲。本打算將紐約藝術(shù)圈好友的生活日常結(jié)集成書,書出不成,抄本卻奇跡留下,讓埃拉薩克斯看得心神一動,在一室之內(nèi)以靈巧多變的鏡頭擺位,重塑1974年那平凡卻奇妙的一天。請來《欲流雙行道》的賓韋沙念55頁獨白,三分型格三分憂郁再帶三分初成名的忐忑。漫溢于16米厘的光影質(zhì)感之間,是安迪華荷、蘇珊桑塔格那一代人浸透于生活的藝術(shù)靈光。

古宅謎案

貢米,郭秋成,劉家麟,黑妹,李中煜,馮淇祈,劉禹君

  月黑風(fēng)高,古宅之夜,白衣鬼魅誅殺滿桌男女老幼,尖叫連連,血流滿地,慘不忍睹!是死去怨靈的還魂復(fù)仇?還是來自人間的情感糾葛?故人重返古宅,詭異事件頻發(fā),魅影時而飄過古宅郎亭角落,令人膽戰(zhàn)心驚!