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別名: Frauen f uuml;r Zellenblock 9 塞爾維亞的邊境,一輛載著數(shù)名女囚的卡車正行駛在叢林之中。正在這時,一對全副武裝的士兵將卡車截停,并帶走了囚犯亞迪莫特、芭芭拉 泰勒和押運官凱琳娜 ;雷瓦。這一切的策劃者是米爾頓博士霍華德 沃儂,戰(zhàn)爭期間祂受命在此地建立軍事實驗室,進行各種慘無人道的實驗。隨著時間以及經(jīng)費的停止,米爾頓漸次瘋狂,甚至瘋狂迷戀上那些恐懼的虐待實驗。 祂和手丅四處網(wǎng)羅女囚,不僅逼迫她們做工,更對這...
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
害蟲
少女幸子(宮崎葵飾)和老師的師生戀緋聞被傳得風(fēng)風(fēng)雨雨,相依為命的母親稔子(Ryo飾)則自殺未遂。打擊不斷的生活令幸子無法承受,升入中學(xué)后,她不去上學(xué),每天閑逛打發(fā)時間。她和依靠小偷小摸賺錢的少年隆夫、精神脆弱的中年人久蔵成為了朋友。隆夫離開后,幸子和好友夏子(蒼井優(yōu)飾)返回了學(xué)校。 不久后,她又差點被母親的新歡德川強暴。謠言又起,幸子失望地離開學(xué)校。昔日的老師戀人現(xiàn)在發(fā)電所工作,幸子準(zhǔn)備去他那里。然而在約定的小茶店里等了很久,他還是沒有出現(xiàn)。灰心的幸子跟一個前來搭訕的男子離開茶店……