未熟之夏

★ 4.4 播放:13萬 更新:2026-04-27

沉迷于一個(gè)15歲的女學(xué)生(日本艷星蒼井空),一個(gè)名為益男大田永久獨(dú)來獨(dú)往后(三島豐)發(fā)現(xiàn)自己引起了輕微的挑釁。控制不住自己腫脹的激情,他用他的生命來跟隨她 - 她到處去。將他心儀的對(duì)象再回到他的感情,或者是瑪索注定要被他扭曲的欲望被消費(fèi)? 這是從吉田圭佑的處女作。   

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劇情簡(jiǎn)介

沉迷于一個(gè)15歲的女學(xué)生(日本艷星蒼井空),一個(gè)名為益男大田永久獨(dú)來獨(dú)往后(三島豐)發(fā)現(xiàn)自己引起了輕微的挑釁。控制不住自己腫脹的激情,他用他的生命來跟隨她 - 她到處去。將他心儀的對(duì)象再回到他的感情,或者是瑪索注定要被他扭曲的欲望被消費(fèi)? 這是從吉田圭佑的處女作。   

導(dǎo)演精選

終極囚禁

  美國(guó)德州一所高中,以布萊德利(賈斯廷·阿諾德 Justin Arnold 飾)為首的一眾男女學(xué)生風(fēng)生水起,橫行霸道,經(jīng)常以欺負(fù)人為樂趣。印度裔學(xué)生萊比(Vincent Silochan 飾)、瘦小的戴恩(馬克·多納托 Marc Donato 飾)和有些內(nèi)向自閉的女孩艾米莉(林德賽·西德爾 Lindsay Seidel 飾)等人更是他們優(yōu)先欺負(fù)的對(duì)象。學(xué)校的狀況已然如此,與親人的關(guān)系又分外冷淡和緊張,戴恩他們的生活看不到一點(diǎn)兒希望。  8個(gè)月前,戴恩的叔叔去世,留給他一座偌大的農(nóng)場(chǎng)作遺產(chǎn)。飽受欺負(fù)且試圖自殺的他找到和自己同病相憐的幾個(gè)人,他們決定把學(xué)校的小霸王們請(qǐng)到舉行派對(duì),在勁歌熱舞之中展開準(zhǔn)備已久的血腥復(fù)仇……

鐵肺

 影片改編自2022年的同名獨(dú)立恐怖游戲。背景設(shè)定在名為“The Quiet Rapture”的末日之后,一名囚犯被迫深入血紅色的海洋,駕駛一艘銹跡斑斑的微型潛艇搜尋殘存的自然資源。

公寓2024

  Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.  Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.