在線看
同款熱播
風雪飄搖
王宇,伊日貴,其那日圖,鋼特木爾,趙思芮,熬爾,巴音故事背景發生在抗日戰爭時期，主角郭東是一名獸醫，他的妻兒慘遭日本兵殺害，從此躲到了草原邊陲的一個小鎮上，過著惶惶不可終日的生活。郭東的自暴自棄使得他與當地人產生許多矛盾。就在此時，一名蒙古族孕婦的生命危在旦夕，眾人無奈之下求助郭東，郭東在新生命的洗禮和蒙古族戰士的感染下，重新明白了"英雄"的意義，完成了自我救贖。
退伍軍官
亞尼·卡普爾,莫娜·辛格,拉狄卡·馬丹,Aditya Rawal,沙魯巴·舒克拉,Faisal Malik,Amit Jha,Vikram Pratap,Harsh Purwar,Lata Shukla,Esha Shital曾經為國家而戰的男人，如今必須對抗來自內部的敵人，才能守護自己的家園與家人。
夏洛克：未敘之章特別篇
藤岡靛,巖田剛典,木南晴夏,山田真步,佐佐木藏之介好評のうちに最終回を終えた『シャーロック』。このたび23日（月）21時～22時48分に『シャーロック特別編』を放送することが決定しました。そして木南晴夏さんがゲスト出演します。木南さんが演じるのは、フリージャーナリスト?門司かれん（もんじ?かれん）。16日（月）最終回のラストシーンで、獅子雄（ディーン?フジオカ）はついに宿敵?守谷壬三（大西信満）と対峙。しかし獅子雄は、若宮（巖田剛典）や江藤（佐々木蔵之介）の目の前で守谷と共に海中に沈んでしまいました。
求愛反斗星
張艾嘉,陳百祥,張國榮,曹查理繁華的國際大都會香港鬧市中心，口若懸河的洪家寶（陳百祥 飾）帶著傻乎乎的小弟麥交（邵國華 飾）公然行竊，結果路上遭遇妙齡女郎嘉嘉（張艾嘉 飾）舉報。雖然兩人百般抵賴，但在最后關頭漏了馬腳，被警察關進監獄。令洪、麥意想不到的是，嘉嘉居然是監獄的輔導官，所謂冤家路窄，洪家寶真是窩了一肚子火。二人所在的牢房獄霸橫行，為了逃出對方魔爪，他們不惜羞辱監獄長官。經過一段時間牢獄之災，二人和獄中認識的伙伴冠仁（胡大為 飾）出獄。誰知他們死性不改，騙吃騙喝再度鋃鐺入獄，這次又撞上了有著一副好皮囊、愛裝警察的小混混榮仔（張國榮 飾）。 洪家寶大罵榮仔，意想不到的是榮仔的老姐居然就是洪的仇敵嘉嘉……
正直的候選人2
羅美蘭,金武烈,尹敬浩,徐現宇,樸真珠,尹斗俊羅美蘭、金武烈、尹京浩將繼續合作出演《正直的候選人2》，續集依舊由張幼珍執導。將講述羅美蘭挑戰道知事選-舉引發的故事。他們三位飾演的角色與前作一樣。 計劃下半年開拍。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.