安潔麗卡表妹
When暫無內(nèi)容the暫無內(nèi)容single暫無內(nèi)容middle-aged暫無內(nèi)容Luis暫無內(nèi)容travels暫無內(nèi)容from暫無內(nèi)容Barcelona暫無內(nèi)容to暫無內(nèi)容bury暫無內(nèi)容the暫無內(nèi)容remains暫無內(nèi)容of暫無內(nèi)容his暫無內(nèi)容mother暫無內(nèi)容in暫無內(nèi)容the暫無內(nèi)容vault暫無內(nèi)容of暫無內(nèi)容his暫無內(nèi)容family暫無內(nèi)容in暫無內(nèi)容Segovia,暫無內(nèi)容he暫無內(nèi)容is暫無內(nèi)容lodged暫無內(nèi)容by暫無內(nèi)容his暫無內(nèi)容aunt暫無內(nèi)容Pilar暫無內(nèi)容in暫無內(nèi)容her暫無內(nèi)容old暫無內(nèi)容house暫無內(nèi)容where暫無內(nèi)容he暫無內(nèi)容spent暫無內(nèi)容his暫無內(nèi)容summer暫無內(nèi)容of暫無內(nèi)容1936暫無內(nèi)容with暫無內(nèi)容her.暫無內(nèi)容He暫無內(nèi)容meets暫無內(nèi)容his暫無內(nèi)容cousin暫無內(nèi)容Angelica,暫無內(nèi)容who暫無內(nèi)容was暫無內(nèi)容his暫無內(nèi)容first暫無內(nèi)容love,暫無內(nèi)容living暫無內(nèi)容on暫無內(nèi)容the暫無內(nèi)容first暫無內(nèi)容floor暫無內(nèi)容with暫無內(nèi)容her暫無內(nèi)容husband暫無內(nèi)容and暫無內(nèi)容daughter,暫無內(nèi)容and暫無內(nèi)容he暫無內(nèi)容recalls暫無內(nèi)容his暫無內(nèi)容childhood暫無內(nèi)容in暫無內(nèi)容times暫無內(nèi)容of暫無內(nèi)容the暫無內(nèi)容Spa...
在線播放
劇情簡(jiǎn)介
When暫無內(nèi)容the暫無內(nèi)容single暫無內(nèi)容middle-aged暫無內(nèi)容Luis暫無內(nèi)容travels暫無內(nèi)容from暫無內(nèi)容Barcelona暫無內(nèi)容to暫無內(nèi)容bury暫無內(nèi)容the暫無內(nèi)容remains暫無內(nèi)容of暫無內(nèi)容his暫無內(nèi)容mother暫無內(nèi)容in暫無內(nèi)容the暫無內(nèi)容vault暫無內(nèi)容of暫無內(nèi)容his暫無內(nèi)容family暫無內(nèi)容in暫無內(nèi)容Segovia,暫無內(nèi)容he暫無內(nèi)容is暫無內(nèi)容lodged暫無內(nèi)容by暫無內(nèi)容his暫無內(nèi)容aunt暫無內(nèi)容Pilar暫無內(nèi)容in暫無內(nèi)容her暫無內(nèi)容old暫無內(nèi)容house暫無內(nèi)容where暫無內(nèi)容he暫無內(nèi)容spent暫無內(nèi)容his暫無內(nèi)容summer暫無內(nèi)容of暫無內(nèi)容1936暫無內(nèi)容with暫無內(nèi)容her.暫無內(nèi)容He暫無內(nèi)容meets暫無內(nèi)容his暫無內(nèi)容cousin暫無內(nèi)容Angelica,暫無內(nèi)容who暫無內(nèi)容was暫無內(nèi)容his暫無內(nèi)容first暫無內(nèi)容love,暫無內(nèi)容living暫無內(nèi)容on暫無內(nèi)容the暫無內(nèi)容first暫無內(nèi)容floor暫無內(nèi)容with暫無內(nèi)容her暫無內(nèi)容husband暫無內(nèi)容and暫無內(nèi)容daughter,暫無內(nèi)容and暫無內(nèi)容he暫無內(nèi)容recalls暫無內(nèi)容his暫無內(nèi)容childhood暫無內(nèi)容in暫無內(nèi)容times暫無內(nèi)容of暫無內(nèi)容the暫無內(nèi)容Spa...
同類好片
送葬人
道格拉斯·史密斯,盧錫安·拉維斯科特,克雷西達(dá)·博納斯,道格·瓊斯,邁克爾·特魯科,珍娜·凱內(nèi)爾,埃麗卡·特倫布萊,瑪麗莎·埃切維里亞,克利奧·金,費(fèi)·唐納薇,凱瑞-安·莫斯,雷·沃納爾,凱琳·伍黛爾,拉臘·諾克斯,喬納森·潘內(nèi)爾,尼古拉斯·薩德勒,瑪莎·哈克特,庫(kù)爾特·岳丹鳳眼
陳虹妤,麥肯娜·格瑞絲,麥特里伊·拉瑪克里斯南,鄔君梅,阿梅莉·齊爾伯,杜方,伊蓮·亨德里克斯,梅根·海耶斯,克里斯汀·崔,夏洛特·安·塔克,布里頓·韋伯,Callie McClincy,Scott Deal,薩拉·科普金,R.基斯·哈里斯,喬納森·D·威廉斯,馬龍·托馬斯,伊麗莎白·潘,Cecelia Specht,Katy Wilson,馬克·德米特藍(lán)宇
胡軍,劉燁,蘇瑾,李華彤,盧芳,張永寧,李爽,李濱,趙敏芬,張少華精靈寶可夢(mèng)：幻影的霸者索羅亞克
松本梨香,大谷育江,上田祐司,豐口惠美,小櫻悅子,加藤夏希,塚本高史,林原惠美,中川翔子,山寺宏一,樸璐美,間宮胡桃洗發(fā)水
沃倫·比蒂,朱莉·克里斯蒂,歌蒂·韓,李·格蘭特,杰克·沃登,托尼·比爾,喬治·菲爾特,杰伊·魯賓遜,盧安娜·安德斯,蘇珊娜·摩爾,凱麗·費(fèi)雪,Ann Weldon,Randy Scheer,Mike Olton,Richard E. Kalk,Ronald Dunas,Hal Buckley,杰克·伯納迪,威廉·卡斯?fàn)?布拉德·德克斯特我們埋葬死者
黛西·雷德利,布倫頓·思韋茨,馬克·科爾斯·史密斯,馬特·惠倫,Chloe Hurst,金姆·杰克遜,Dan Paris,Deanna Cooney,Nicola Bartlett,Kim Fleming,Kingsley Judd,Salme Geransar,Elijah Williams,Luke Jai,Megan Hollier,Steve McCall,大衛(wèi)·佐納,Matthew Parkin,Jimmy Duncan,Bruce Denny人氣佳作
婚禮上我們討厭的人
艾莉森·珍妮,辛希亞·阿戴-羅賓森,克里斯汀·貝爾,本·普拉特,托尼·戈德溫,約翰·麥克米蘭,喬瑪·塔科內(nèi),達(dá)斯汀·米利甘,朱利安·歐文登,卡蘭·索尼,杰克森·戈登伯格,伊薩赫·德·班克爾,魯弗斯·瓊斯,喬尼·韋爾登,里奇·基伯,Lesley Ewen,艾瑪·戴維斯,羅布·豪森,里查·普拉卡什,勞倫斯·拉塞爾,皮埃爾·伯格曼,安德魯·G·奧格爾比,杰寧·哈瑞妮,阿德南·昆迪,Michelle Thomas,斯圖爾特·惠蘭,Davina Moon繼女2024
安妮·伊隆澤,Judy Johnson,Blue Kimble,Cassidey Fralin,Neil Wachs15點(diǎn)17分，啟程巴黎
斯賓塞·斯通,安東尼·薩德勒,亞歷克·斯卡拉托斯,朱迪·格雷爾,珍娜·費(fèi)舍,賈里爾·懷特,托馬斯·列農(nóng),托尼·海爾,P·J·伯恩,布萊斯·吉扎爾,斯蒂芬·考特爾,羅伯特·普拉爾戈,加里·維克斯悄然之星
神樂坂惠,遠(yuǎn)藤賢司,池田優(yōu)斗,森康子導(dǎo)演精選
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
圍困
該片講述了偉大衛(wèi)國(guó)戰(zhàn)爭(zhēng)期間列寧格勒遭受德寇圍困的九百天，列寧格勒軍民克服種種令人難以置信的困難--饑餓，轟炸，疾病，寒冷——保衛(wèi)了這座“英雄城”并最終打破了德寇的圍困的故事。
安娜和世界末日
一部混雜音樂劇和喪尸電影的喜劇片，這部僵尸歌舞片的框架基于2010年英國(guó)電影學(xué)院獎(jiǎng)獲獎(jiǎng)短片《僵尸音樂劇》（暫譯）（ZombieMusical），講述了一大波僵尸窮追猛打一撮人，他們邊唱邊打，不斷求生的故事。電影取景地為蘇格蘭，由艾拉·亨特出演安娜，馬克·本頓飾演安娜的父親，保羅·凱耶出演反派。