屌絲騎士
講述了色胚男主人公誠(chéng)豪介,轉(zhuǎn)入了一所;女尊男卑 的超大小姐學(xué)園,為了爭(zhēng)取男權(quán)、廢除;三禁向自治會(huì)會(huì)長(zhǎng)美崎靜香宣戰(zhàn)。決戰(zhàn)當(dāng)日卻慘遭兇惡教師嵐鐵美迫害,豪介的色情能量,能否拯救全校的危機(jī)?他又能否成為靜香的騎士 ?
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劇情簡(jiǎn)介
講述了色胚男主人公誠(chéng)豪介,轉(zhuǎn)入了一所;女尊男卑 的超大小姐學(xué)園,為了爭(zhēng)取男權(quán)、廢除;三禁向自治會(huì)會(huì)長(zhǎng)美崎靜香宣戰(zhàn)。決戰(zhàn)當(dāng)日卻慘遭兇惡教師嵐鐵美迫害,豪介的色情能量,能否拯救全校的危機(jī)?他又能否成為靜香的騎士 ?
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Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
尋秦記電影版
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