美國式禁忌
《US式禁忌》是1984年出品的US經(jīng)典倫理劇。講述了一貧一富兩個家庭之間連鎖發(fā)生的一系列出軌、倫理事件,合理的劇情擴展、細膩的人物刻畫使得情節(jié)真實可信,反映了現(xiàn)代社會里當?shù)赖隆⒗硐胱兂芍皇强斩础⑻搨蔚目谔柡螅祟惖男袨榈降譕K走到多遠; 虛偽、庸俗、刻薄的鈡產(chǎn)階級家庭婦釹Seleren夫人嫌貧噯富,對子釹要求嚴格,而當她與花匠Chinaski通奸的事情敗露后,她在家庭里所標榜的;理想、道德觀 一夜之間全面崩潰,由思想前衛(wèi)、放蕩不羈的釹兒Nina所引發(fā)的兩個家庭之間一系列的倫理揭開了帷幕
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蕾雅·德呂蓋,安娜瑪麗亞·沃特魯梅,阿萊克斯·德斯卡,朱爾斯·德爾薩特,洛朗特·卡普洛托,克萊爾·博德森,索尼婭·貝卡姆,麥克斯·羅賓,阿德利安·迪安娜,米凱萊·莫安娜·內(nèi)德塔尼,亞歷山大·馬托比,杰登·穆約佐羅·馬耶巴,肯娜亞·索瑪,安妮·拉勒芒特,蒙尼亞·杜依布,吉尤利婭·巴爾福羅德,塞德里克·拉克辛,雅典娜·達納·珀羅斯,卡利姆·奇哈布,寶琳·格雷高利異形:奪命艦
卡莉·史派妮,戴維·榮松,阿奇·雷諾,伊莎貝拉·莫塞德,斯派克·費恩,吳愛玲,丹尼爾·貝茨,伊安·霍姆,特雷沃·紐林,羅伯特·勃洛克茨基,安妮瑪麗·格里格斯,羅茜·伊德,索瑪·西蒙,本斯·歐科克,維克托·歐利祖A-1頭條
李心潔,黃秋生,陳冠希,葛民輝,林家棟,梁家輝空心大少爺
陳勛奇,葉倩文,午馬榮耀嘻哈
莎黑茲·薩姆,萬·哈納菲蘇,Aida Amron,韓家濠告別武器
海倫·海絲,加里·庫珀,阿道夫·門吉歐,瑪麗·菲利普斯,杰克·拉魯,布朗什·弗雷德里克,瑪麗·福布斯,吉爾伯特·埃默里,愛麗斯· 亞岱爾,亨利·阿爾梅塔,赫爾曼·賓 ,Agostino Borgato,Robert Cauterio,瑪塞勒·科爾代,基諾·科拉多,George Humbert,威廉·歐文,多麗絲·勞埃德,弗雷德·馬拉泰斯塔,保羅·波爾卡西,Tom Ricketts,Frederick Sullivan同類推薦
預見者
Michael Piccirilli, Pamelyn Chee, Anthony Bishop一項革命性的人類基因研究計劃,為預防疾病與犯罪帶來了莫大幫助,身為研究員的一份子,希歐多不但致力于生命的發(fā)展與延續(xù),還有個能預知他人死亡的特殊能力。不過這次他的能力卻陰錯陽差害死了自己的女友安娜,內(nèi)疚不已的希歐多以悲傷度日,直到一個月過去,安娜竟又活生生地出現(xiàn)在他面前?
孤獨犯罪狂
布倫娜·斯卡爾斯基,伊恩·賴爾·邁克爾斯,大衛(wèi)·赫特當一位孤獨的真正犯罪迷遇到她最喜歡的播客主持人時,浪漫擦出了火花,但事情很快變得奇怪,因為他對她的迷戀變成了癡迷,而他最新的劇集似乎圍繞著她最終的謀殺展開。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
挑戰(zhàn)未來
奧利弗·古魯內(nèi)爾,Tim Thomerson2027未來世界,恐怖主義彌漫全球,科技發(fā)達,使人類神經(jīng)系統(tǒng)可用人工磁片來取代。機器人為達到蠶食人類的大陰謀,先了綁架國際間各國領袖,繼而派遣機器人復制繁殖以取代世界統(tǒng)治者的霸權(quán)。洛杉磯警界的杰出人物「雨水艾力」(奧利佛·顧納飾)察覺這項陰謀,他尋求各種行動以阻止機器人的野心,而艾力身上卻已被植入百分之十三人工器官……
請以你的名字呼喚我
艾米·漢莫,提莫西·查拉梅,邁克爾·斯圖巴,阿蜜拉·卡薩,艾斯特·加瑞爾,維克圖瓦爾·杜布瓦,旺妲·卡布里奧羅,安東尼奧·里莫爾迪,埃琳娜·布奇,馬可·斯格羅索,安德烈·艾席蒙,彼得·斯皮爾斯故事發(fā)生在八十年代的意大利里維埃拉,每年夏天,十七歲的少年艾力奧(提莫西·查拉梅 Timothée Chalamet 飾)都會跟家人一起來此地度假。今年,和他們共享假日時光的,還有來自美國的奧利弗(艾米·漢莫 Armie Hammer 飾),高大英俊熱情開朗的奧利弗很快就獲得了艾力奧一家人的喜愛。隨著時間的推移,艾力奧和奧利弗之間漸漸產(chǎn)生了致命的吸引力,但性別和年齡的桎梏讓他們遲遲無法跨出那關鍵的一步,與此同時,單純善良的少女馬奇婭(艾斯特·加萊爾 Esther Garrel 飾)也向艾力奧奉獻著自己的感情和身體。最終,洶涌的激情沖破了艾力奧和奧利弗之間的防線,兩人開始了一段注定不會有結(jié)果的戀情。