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最終測試
安東尼·邁克爾·豪爾,查理·吉爾萊斯皮爾,漢娜·凱普爾,約翰·卡普洛斯,利麗克·羅斯怒獸出籠
丹尼爾·麥克弗森,盧克·海姆斯沃斯,羅素·克勞,布倫·福斯特,莫讓·阿里亞,馬特·納夫萊,凱莉·蓋爾,內森·菲利普斯,Amy Shark,埃莉扎·德蘇扎,CJ·布隆菲爾德,喬治·布吉斯,Callan Colley,Saphira Moran,George Tilley,Liam Resnekov,羅基·弗里杰里奧,Alex Ballesteros東京出租車2025
倍賞千惠子,木村拓哉,蒼井優,迫田孝也,優香,中島瑠菜,神野三鈴,李濬榮,笹野高史,大竹忍,槙田雄司,北山雅康,木村優來,小林稔侍,明石家秋刀魚致命塔羅
阿凡提卡·萬達納普,雅各布·巴特朗,歐文·弗熱瑞,哈里特·斯萊特,亨伯利·岡薩雷斯,拉森·湯普森,阿丹·布拉德利,沃爾夫岡·諾沃格拉茨,斯塔薩·尼科利奇,詹姆斯·斯旺頓,艾倫·韋爾斯,桑西卡·米拉諾維奇,喬絲·卡特震耳欲聾
檀健次,蘭西雅,王戈,王硯輝,遲蓬,潘斌龍,李菁菁,寧桓宇,周政杰姐妹2026
鄭知曉,李洙赫,車珠英同類精選
暗黑女子
千眼美子,飯豐萬理江,清野菜名,玉城蒂娜,小島梨里杏,平祐奈,升毅,千葉雄大尋磚
張亮,鄂靖文,劉俊孝,鄭強,趙毅,李寶安,紅花,傅花道,耿一正,周培巖在恐懼中
伊恩·德·卡斯泰克,愛麗絲·恩格勒特,艾倫·里奇幻想游戲
久本雅美,板野友美,田中幸太朗,仙石南鐵板燒
許冠文,葉倩文,葉麗儀,盧海鵬,車保羅,許英秀,黎小田,李燕萍,劉允,黃文慧奉魔之名
索菲·瓦瓦塞爾,史蒂芬·比靈頓,Richard Felix,喬·安妮·斯托克漢姆,Lazzaro E. Oertli Ortiz,Isamaya Ffrench,托米·巴斯托,Emma Reynolds,道格·布拉德利,Brendan Price,Clàudia Costas,Cristina Cervià,Francesc Ten,Joan Roca,Pere Raich影視排行
三人世界
林子祥,鄭裕玲,關之琳,周慧敏,劉嘉玲,羅美薇,盧冠廷,金燕玲,周文健劉雅歷(林子祥 飾)是一名廣告公司高層,但感情生活并不如意——女友碧姬(關之琳 飾)與他分手了。本來就沉默寡言的雅歷更加孤寂傷痛了,生活依舊刻板平凡。 后來他在一個合唱團里認識了一位極有天分的女孩巫慧敏(周慧敏 飾),本來打算對她多加照顧培訓,卻遭到慧敏母親朱麗娥(鄭裕玲 飾)的不滿,以為雅歷對自己年輕的女兒動了歪念,兩人也因此成為了斗氣冤家。 經多次的交往之后,朱麗娥才發現自己誤會了雅歷,便對他完全改觀了,有困難的時候麗娥也主動找雅歷幫忙。麗娥本來就是個離婚婦人,遇到了同樣感情空虛的雅歷,兩人之間很快便滋長了愛情。這時,雅歷的前女友碧姬卻回來要求復合……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
卡拉馬利聯盟
蒂莫·埃倫克,卡里·海斯卡寧,Asmo Hurula卡拉馬利聯盟是一個寓言的電影,講述了16人所有的人被稱為弗蘭克(靈感來自弗蘭克Armoton)尋找一個叫Eira的理想國的故事。
三傻大鬧寶萊塢
阿米爾·汗,卡琳娜·卡普爾,馬達范,沙爾曼·喬希,奧米·瓦依達,博曼·伊拉尼,莫娜·辛格,拉杰夫·拉賓德拉納特安本片根據印度暢銷書作家奇坦·巴哈特(Chetan Bhagat)的處女作小說《五點人》(Five Point Someone)改編而成。法蘭(馬德哈萬 R Madhavan 飾)、拉杜(沙曼·喬希 Sharman Joshi 飾)與蘭喬(阿米爾·汗 Aamir Khan 飾)是皇家工程學院的學生,三人共居一室,結為好友。在以嚴格著稱的學院里,蘭喬是個非常與眾不同的學生,他不死記硬背,甚至還公然頂撞校長“病毒”(波曼·伊拉尼 Boman Irani 飾),質疑他的教學方法。他不僅鼓動法蘭與拉杜去勇敢追尋理想,還勸說校長的二女兒碧雅(卡琳娜·卡普 Kareena Kapoor 飾)離開滿眼銅臭的未婚夫。蘭喬的特立獨行引起了模范學生“消音器”(奧米·維嘉 Omi Vaidya 飾)的不滿,他約定十年后再與蘭喬一決高下,看哪種生活方式更能取得成功。 本片獲孟買電影博覽獎最佳影片、最佳導演、最佳配角(波曼·伊拉尼)、最佳劇本等六項大獎,并獲國際印度電影協會最佳影片、最佳導演、最佳劇情、最佳攝影等十六項大獎。