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劇情提要
17歲女生丹尼爾娜非常渴望性，可是她的智利傳統(tǒng)家庭不允許她表現(xiàn)出來。她的排遣方式惟有在博客“年少與輕狂”中和粉絲互動。等到她終于交到了英俊男友托馬斯，一顆心卻不知不覺落到了工作女伴兒安東尼婭身上。丹尼爾娜發(fā)現(xiàn)年少和輕狂就像復雜選擇題，需要決定誰是魚誰是熊掌...圣丹斯國際電影單元最佳劇本獎得主。◎QAF
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
總統(tǒng)班底
根據(jù)水門事件揭發(fā)人Carl Bernstein和Bob Woodward所寫自傳改編的電影。二人是《華盛頓郵報》的記者，在水門事件里，他們歷盡艱辛揭開政治黑幕，人物和事件一同成為美國一段家喻戶曉的歷史。故事由五名盜賊開始，他們潛入水門大度行竊。本來是一樁不甚重大的刑事案件，卻在Bernstein（達斯汀·霍夫曼Dustin Hoffman 飾）和Woodward（羅伯特·雷德福Robert Redford 飾）的追查下，最終撕開了一條大裂縫，矛頭直指總統(tǒng)尼克松。從1972年到1974年，從尼克松競選總統(tǒng)到尼克松連任上臺，華盛頓郵報受到的壓力越來越大，甚至被威脅。主編本·布萊德利站在了新聞自由和相信自己記者的這邊，Bernstein和Woodward得以繼續(xù)追尋事件真相，得到了重要線人“深喉”的幫助，經(jīng)歷了難以想象的曲折艱辛后，水門事件最終導致尼克松總統(tǒng)下臺。