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發(fā)財(cái)秘笈
李美鳳,鄭文雅,楊寶玲,黃百鳴,黃秋生黃尚（黃百鳴 飾）是一個(gè)其貌不揚(yáng)的小小上班族，來(lái)到了車水馬龍人頭攢動(dòng)的香港，心里滿懷希望的他決定要在此干出一番大事業(yè)。在香港，黃尚結(jié)識(shí)了三位各具風(fēng)情的美女——個(gè)性溫柔賢良淑德的亞萍（楊寶玲 飾）、風(fēng)情萬(wàn)種熱情奔放的露露（李美鳳 飾）和高貴冷艷霸氣外露的珍妮（鄭文雅 飾） ，每一個(gè)人都讓黃尚心動(dòng)不已。 一次偶然中，黃尚撿到了一本《發(fā)財(cái)秘笈》，半信半疑的他按照書中所寫待人處事，果然沒(méi)過(guò)多久便升官發(fā)財(cái)。發(fā)達(dá)之后的黃尚先是得到了露露的芳心，之后又利用手段逼迫珍妮同自己結(jié)婚，一番折騰之后，一場(chǎng)超現(xiàn)實(shí)的奇遇卻讓黃尚開始思考，這樣的生活真的是自己想要的嗎？
長(zhǎng)春花園
趙胤熙,金周靈,許棟元,鄭仁謙昭熙（趙胤熙 飾）的幸福家庭一夕變調(diào)，不僅目睹丈夫昌秀（許棟元 飾）在眼前上吊，腹中寶寶也不幸流產(chǎn)。尚未走出喪偶傷痛的她不顧姐姐惠蘭（金姝憐 飾）勸阻，搬到丈夫留給她的一棟郊區(qū)花園別墅，但昭熙入住后，發(fā)現(xiàn)這棟房子充滿揮之不去的恐懼詭異感，仿佛有某種毛骨悚然的存在正在詛咒著自己，隨著駭人命案接二連三發(fā)生，這棟別墅的秘密似乎也被慢慢揭開…
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
木乃伊2026
杰克·萊諾,萊婭·科斯塔,梅·卡拉美維,娜塔莉·格蕾斯,維羅尼卡·法爾孔,艾米麗·米切爾,哈亞特·卡米勒,比利·羅伊,希洛·莫利納,梅·埃爾格蒂,迪恩·艾倫·威廉姆斯一個(gè)被埋藏的秘密，正準(zhǔn)備被揭開。失蹤多年的凱蒂突然回來(lái)，但回來(lái)的，真的還是原本的她嗎？那些看似“好轉(zhuǎn)”的變化，其實(shí)，是另一種腐敗的開始。
再見(jiàn)了假面騎士電王
桜田通,佐藤健,中村優(yōu)一,神田沙也加,秋山莉奈,松本若菜,松元環(huán)季,石丸謙二郎,松村雄基2008年1月の放送終了後も根強(qiáng)い人気を誇る「仮面ライダー電王」の最後の戦いを描く劇場(chǎng)版第3弾。世間で噂の幽霊列車について調(diào)査を開始したモモタロスたちの前に、“仮面ライダー幽汽”が立ちはだかる。なんとその正體は、誘拐された電王?良太郎だった。モモタロスや新たに電王となった幸太郎らは、良太郎の言葉を手がかりにデンライナーで300年前へと向かう。新電王?幸太郎を演じるのは「アクエリアンエイジ 劇場(chǎng)版」の桜田通。
約瑟夫·門格勒的消失
奧古斯特·迪赫,達(dá)娜·赫弗斯,布爾格哈特·克勞斯納,安東·利特維諾夫,海因茨·K·克拉蒂格,馬克西米利安·梅耶-布雷澤內(nèi)德,Carlos Kaspar,阿麗娜·利特維諾娃,Tetiana Lytvynova,David Ruland,Rodrigo Costa Pereyra,Diana Stepanova,Santino Lucci,Ramiro Lucci本片聚焦臭名昭著的納粹醫(yī)生約瑟夫·門格勒的逃亡軌跡，從巴拉圭的藏身之所到最終遁入巴西叢林深處，再現(xiàn)這名"死亡天使"流亡南美的隱秘歲月。