呼喊與細(xì)語(yǔ)
別名: 哭泣與低訴 / 哭泣與耳語(yǔ) / 呼喊與低語(yǔ) / 在細(xì)雨中呼喊 / 哭泣與呢喃 艾格尼絲（哈里特 安德森 Harriet Andersson飾）、瑪麗亞（麗芙 ;烏曼 Liv Ullmann飾）和卡琳（英格里德;圖林 Ingrid Thulin飾）雖然是三姊妹，各人內(nèi)心卻有著積重難返的隔膜和疏離。艾格尼絲身患絕癥，生命將近，守護(hù)在她身邊的是女仆安娜。艾格尼絲沒(méi)有得到過(guò)母親完整的愛(ài)，死前妄想讓關(guān)系緊張的姐妹變得珍愛(ài)彼此，卻一再事與愿違。 瑪麗亞是最得母親寵愛(ài)的孩子，因此遭到姐妹的嫉妒。她的感情生活處理的一塌糊涂，在丈夫和情人之間徘徊周旋。她對(duì)愛(ài)越是擁有，就越是貪婪。 卡琳的生活更是充滿(mǎn)壓抑。和丈夫的關(guān)系陷入僵局，令她沉淪于自虐。 和好的愿望太過(guò)遙遠(yuǎn)，她們想擺脫生活的陰影，重新拉近彼此的心，卻發(fā)現(xiàn)隔膜似乎不可打破。
劇情簡(jiǎn)介
別名: 哭泣與低訴 / 哭泣與耳語(yǔ) / 呼喊與低語(yǔ) / 在細(xì)雨中呼喊 / 哭泣與呢喃 艾格尼絲（哈里特 安德森 Harriet Andersson飾）、瑪麗亞（麗芙 ;烏曼 Liv Ullmann飾）和卡琳（英格里德;圖林 Ingrid Thulin飾）雖然是三姊妹，各人內(nèi)心卻有著積重難返的隔膜和疏離。艾格尼絲身患絕癥，生命將近，守護(hù)在她身邊的是女仆安娜。艾格尼絲沒(méi)有得到過(guò)母親完整的愛(ài)，死前妄想讓關(guān)系緊張的姐妹變得珍愛(ài)彼此，卻一再事與愿違。 瑪麗亞是最得母親寵愛(ài)的孩子，因此遭到姐妹的嫉妒。她的感情生活處理的一塌糊涂，在丈夫和情人之間徘徊周旋。她對(duì)愛(ài)越是擁有，就越是貪婪。 卡琳的生活更是充滿(mǎn)壓抑。和丈夫的關(guān)系陷入僵局，令她沉淪于自虐。 和好的愿望太過(guò)遙遠(yuǎn)，她們想擺脫生活的陰影，重新拉近彼此的心，卻發(fā)現(xiàn)隔膜似乎不可打破。
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真實(shí)的謊言
阿諾·施瓦辛格,杰米·李·柯蒂斯,湯姆·阿諾德,比爾·帕克斯頓,蒂亞·卡雷爾,阿特·馬里克,艾麗莎·杜什庫(kù),格蘭特·赫斯洛夫,查爾頓·赫斯頓,馬紹爾·曼尼什,詹姆斯·艾倫,迪特爾·勞特爾,簡(jiǎn)·莫里斯,卡齊·查普爾,克麗絲蒂娜·懷勒,奧弗·薩姆拉哈里（阿諾?施瓦辛格 Arnold Schwarzenegger 飾）是美國(guó)FBI的高級(jí)特工，他正在奉命調(diào)查一起跨國(guó)核武器走私案件。出于安全考慮，哈里連結(jié)婚15年的妻子海倫（杰米?李?柯蒂斯 Jamie Lee Curtis 飾）都沒(méi)有告訴他的真實(shí)身份。 海倫是一名普通白領(lǐng)，平凡的生活已令她心生厭倦。一次，汽車(chē)商西蒙假扮FBI特工，溜到海倫家謊稱(chēng)自己被人追殺。緊張刺激的經(jīng)歷很快令海倫著迷。 這一切都沒(méi)有逃過(guò)真正的FBI特工哈里眼睛。哈里利用間諜偵查手段令到西蒙洋相百出，并化妝成法國(guó)人正欲調(diào)戲海倫時(shí)，被恐怖分子突然襲擊，兩人被挾持到一個(gè)熱帶小島。哈里和海倫最終能否逃出生天，挫敗恐怖分子陰謀？
少林傳人
狄龍,爾冬升,白彪,艾飛,詹森野心勃勃的九王爺（白彪 飾）企圖謀權(quán)篡位，落敗的皇帝（艾飛 飾）命令兩名侍衛(wèi)將兩個(gè)皇子分別抱走，以延續(xù)皇家血脈。大太子（狄龍 飾）被送到了少林寺，三個(gè)瘋瘋癲癲的和尚收留了他，替他取名道行，傳授其武功。二太子（爾冬升 飾）則被丞相（谷峰 飾）收為義子，改名為王子泰。 轉(zhuǎn)眼多年過(guò)去，某日，王子泰來(lái)到了少林寺，偶然遇見(jiàn)了道行，盡管他們彼此都不知道對(duì)方的身份和身世，但兩兄弟還是一見(jiàn)如故，很快就結(jié)下了堅(jiān)實(shí)的友誼。九王爺買(mǎi)通了寺廟內(nèi)的僧人，想要將道行和王子泰斬草除根，無(wú)奈之中，兩人逃出了少林，踏上了充滿(mǎn)危險(xiǎn)的未知之旅。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
死亡修女
阿瑞亞·貝得瑪,阿爾穆德納·阿莫爾,Maru Valdivielso,Luisa Merelas,Chelo Vivares,Pablo Guisa Koestinger,康斯薇洛·特魯希略,Daniela Casas,Olimpia Roch,Sara Roch,Marina Delgado,Claudia Fernández Arroyo,Adriana CamarenaThe film tells the story of how, in post-war Spain, Narcisa (played by Aria Bedmar), a novice with supernatural powers, arrives at a former convent, now a school for girls, to become a teacher. As the days go by, the strange events and increasingly disturbing situations that torment her will eventually lead her to uncover the terrible web of secrets that surround the convent and haunt its inhabitants.
平原上的迷途
菲利波·斯科蒂,塞爾吉奧·羅馬諾,皮耶爾保羅·卡波維拉,羅伯托·西特蘭,安德里亞·彭納基,Simone Bergamasco,Francesco Busolin,Diego De Francesco,丹尼斯·法索洛,Nicola Rossato,Giuseppe Messina卡洛比安奇和多里亞諾是兩個(gè)生活拮據(jù)的五十多歲男人，他們秉持著“絕不錯(cuò)過(guò)最后一杯酒”的人生哲學(xué)。在一次偶然的機(jī)會(huì)中，他們結(jié)識(shí)了朱利奧，一位性格內(nèi)向、對(duì)人生感到迷茫的建筑學(xué)學(xué)生。這場(chǎng)看似不經(jīng)意的邂逅，卻逐漸演變成了一場(chǎng)穿越威尼斯平原的混亂公路旅行。 在旅途中，糟糕的建議、宿醉的困擾以及意料之外的友情，不斷挑戰(zhàn)朱利奧對(duì)人生和愛(ài)情的原有計(jì)劃。這場(chǎng)旅程不僅重新定義了他們彼此的生活，也讓朱利奧開(kāi)始重新思考自己的未來(lái)方向。
深入陰宅
辛政順,尹伊娜,申素媛在京畿道有一所廢棄的住宅，此前曾屬于一名金姓老板，他所經(jīng)營(yíng)的食品工廠蒸蒸日上，然而他因外遇而和妻子關(guān)系日漸惡劣。某天，金老板一家五口被人殘忍殺害，與之有染的女員工也下落不明。附近百姓傳說(shuō)女員工早被殺死，她的怨靈屠殺了金老板一家，金老板的住宅也成了當(dāng)?shù)刂墓碚！ ?010年的一天，電視臺(tái)《廢家探訪》劇組慕名前來(lái)，但是包括制作人李永珠、導(dǎo)演崔圭石、錄音記者程智英、廢家探訪隊(duì)員任萬(wàn)首、萬(wàn)美真、崔雨嵐一行六人最終神秘失蹤。6月的一天，攝制組的錄像帶素材重現(xiàn)天日，經(jīng)過(guò)一番修復(fù)，攝制組成員們最后那段恐怖的經(jīng)歷得以展現(xiàn)世人面前……
口徑
杰克·勞登,馬丁·麥凱恩,托尼·庫(kù)蘭,伊恩·皮里,喬治·安東,凱特·布拉肯,泰蕾茲·布拉德利,卡梅倫·杰克該片是馬特·帕爾默的導(dǎo)演處女作，故事講述兩個(gè)畢生好友前往一個(gè)孤立的蘇格蘭高地村莊進(jìn)行周末狩獵，然而他們面對(duì)接下來(lái)所發(fā)生的事情毫無(wú)準(zhǔn)備。